1978malltitle

ROAD TO THE MALL: ALL PLANS REVEALED

You’re standing at the intersection of Fourth and B streets, next to where the Citibank building is now. It is March 15, 1978 – groundbreaking day for the downtown mall.

Twice before you’ve visited this spot; the most recent was the 1982 grand opening of the mall. In 1972 you were also here for a last look-see at the old district west of B before the city began demolishing it all. Those time machine trips were mentioned in the first chapter of this series, “HOW THE MALL CAME TO BE.”

But before you now in 1978 is a vast vacant lot, 43 acres scraped clear of the barber shops, the hotels once home to pensioners, the dive bars and the ballet school, the grand Art Deco “Cal” movie palace, the thrift shops and lunch counters. Gone are places where you could swing by after work and go home with the latest Elton John album or a live parakeet in a cage – the sort of eclectic district whose character helps a town thrive. All that remains now is the old Post Office, which will be moved in a couple of years and become the Sonoma County Museum.

About 300 yards away, near what once was the corner of Second and A streets, there’s something going on. You see a raised platform with a lectern – although so few are in the audience that a speaker could be easily heard without a microphone.

The Press Democrat allowed reporter Paul Ingalls a bit of poetic license to set the scene:

Like a Shakespearian play, groundbreaking of Santa Rosa’s downtown shopping center unfolded Wednesday, revealing the worries, dreams and bitterness of those who have struggled over the mammoth development for so long. By comparison to the huge center the crowd which appeared on the project site for the 4 p.m. ceremonies was small. But among the group were the characters who have fought and promoted the project through more than six years of studies, public hearings, official meetings and lawsuits. There were those who claim they are powerful and those who claim they are not; those who think they have won and those who think the war is not over.

Such a meager attendance seems odd, considering that morning a PD editorial boasted this is “the beginning of a new day” that will bring “a thriving shopping center in the heart of our city.” The paper will later claim a poll shows four out of five residents want the mall opened ASAP.

Yet the crowd doesn’t seem too appreciative of the blessings that are surely soon to come. In front of the rostrum a young girl marches back and forth with a protest sign. There are also adults (including a former Planning Commissioner) holding posters that read, “Don’t divide our city!” and “Don’t isolate Railroad Square” and “Did you vote on urban renewal?”

A citizen’s protest movement against a big commercial development? Sure, maybe in Berkeley or Greenwich Village but not in Santa Rosa, where the Chamber of Commerce and the Press Democrat had always steered the bus without much challenge.

Few complained when the city declared its intention in 1970 to plow under about a third of the downtown area. Nor were many (except for the Coddings) terribly upset when our redevelopment agency tossed long-promised plans to create a convention center and performing arts theater, instead inviting a Southern California developer to build a shopping center.

Not until 1974 when people realized their beloved Cal theater would be torn down did protests begin. The resistance spread deeper roots the following year after the City Council formed a citizen advisory committee which turned out to be a sham, attempting to promote their plan to spend public money on mall development while making ham-fisted efforts to intimidate community leaders into going along quietly. And did I forget to mention the Council dusted off an old law to ensure that voters could have no say in these dealings?

(Here’s also a reminder this is all part of a broader series on Santa Rosa redevelopment: “YESTERDAY IS JUST AROUND THE CORNER,” which includes an index covering everything on the topic going back to the 1960s. This is chapter ten of the series just about the downtown mall.)

That it took so long for an opposition movement to coalesce doesn’t reflect public apathy so much as it was difficult to follow what was really going on. A lack of transparency and obstinance from both elected and non-elected officials is a common thread in this series; nearly every chapter has examples of the city deliberately making public information hard to find. Pivotal agenda items were sometimes not included in meeting notices printed in the newspaper; the library had only one non-circulating copy of the EIR – Urban Renewal Agency director James Burns said that was to “keep down the cost of governmental services to taxpayers;” the Community Development Commission (formerly the URA) stalled on releasing documents and sometimes wouldn’t answer even basic questions. Once the 20+ opposition groups began to form there were opportunities for people to network and share information.

Even at the time of the 1978 groundbreaking there were major issues still unresolved, including details of how the city would finance $4 million for infrastructure work needed before the mall construction. Those opposed feared traffic backups downtown because studies predicted Third Street would reach its capacity around 1990. (The city was also chastened by CalTrans because the EIR didn’t consider what impact the mall might have on highway traffic, which proved to be a far greater concern once the mall opened.) And as the protest signs said, the mall was going to further divide downtown from Railroad Square.

All of these problems were directly tangled up with “Phase III.” That was the name for the 12-acre section that covered Fifth Street to Seventh and included the Cal Theater, the Bishop-Hansel auto dealership, the old Post Office and Sears. Today it’s the site of Macy’s and the mall’s north parking garage.

There probably would have been little to no resistance to the mall if not for Phase III (except from the Coddings, of course, who wanted developer Hahn to drop out so they could build their own project). Yes, many would object to having any sort of downtown mall, but a smaller one that ended at Fifth Street – or better yet, Fourth – wouldn’t have blocked off a large section of downtown or had the funding and traffic worries.

Or if you want to visit a different alternative universe, more people would probably have fought against the mall from the beginning if they knew what it was going to look like. Either Hahn was keeping his plans close to his vest or the developer-friendly Press Democrat was negligent in keeping the public informed. Or some of both.

The first time anyone in Santa Rosa glimpsed his plans was a 1973 layout seen in the EIR. Besides showing a parking garage on B Street that blocks the mall off from downtown, this version was notable because Hahn presumed he would gain approval to include Phase III in the project, although that wouldn’t happen for another year.

Hahn presented a scale model of what he was planning to the city Design Review Board in the summer of 1974. No picture appeared in the newspaper, but he said it came “95 percent of the way” to meeting concerns about the design.

That could be the same model shown in a 1977 feature in the PD.1 The description in the paper stated the design would feature “heavily landscaped exterior mini-parks.” Note there is no parking garage on the north side next to Macy’s, nor is there that peculiar little access road that provides a shortcut between B and Sixth Streets for those in the know. (Santa Rosa Trivial Pursuit question: What year was the Sixth Street highway underpass created? A: 2012, thirty years after the mall opened.)

Scale model of the proposed mall, looking west. The street on the far right is Seventh St.
Scale model of the proposed mall, looking west. The street on the far right is Seventh St.

While that model clearly shows the mall squatting atop Fifth Street, critics believed this was a negotiable point. Two candidates for City Council replied to the PD’s “new day” editorial by insisting the sacrifice of Fourth and Fifth to the development would create a traffic mess “worse than Steele Lane.” Later in 1978, a coalition of Santa Rosa citizens’ groups filed a suit over the issue, arguing this demonstrated collusion between the city and the developer.2


A WALKWAY TO RAILROAD SQ?

With no means to drive (or bike) from downtown to Railroad Square without taking a detour through Third or Seventh Street, a pedestrian corridor through the mall was still in the plans…right?

Look again at the 1973 layout and find there’s a direct something between B and Morgan Streets. What was that? An aisle through the mall, open only during business hours? An outdoor passageway, perhaps with gates on either side that can be lowered when the mall is closed? Or was it a tunnel, as underground parking was part of the plans at the time? The EIR was silent, although the consultants who wrote the report gently chided the developer and the city for not doing enough to link the mall with downtown via pedestrian access. (This is further discussed in the EIR chapter.)

The issue remained unresolved in 1977, although the model seen above suggests a skylight over a straight line passageway. The accompanying article in the PD said, “Hahn’s architects will continue designing the 750,000 sq. ft. center…What remains is the specific appearance of the entrance at Fourth Street and treatment of the walkway through the facility toward Railroad Square.”

Depending on whom you asked, the rebels preferred Fifth to remain an open street (with Macy’s separated from the mall), become an underpass (apparently like Third St.) or a tunnel under the store, starting east of B Street and ending near Railroad Square.

Hahn and the department stores pushed back – hard. The developer said he had letters from both Sears and Macy’s that they would pull out of the mall if any of those options were approved. (FYI: The executive from Sears was named in the PD article, but not the one from Macy’s.)

Worse yet, Hahn threatened to sue the city into the next century and beyond if Fifth Street remained open. The man who normally came off as a kindly grandpa said he would kill the whole mall project and use “every legal means available to us for the recovery of the $2 million plus expended on the project to date.”

Yet a potential lawsuit was just the beginning of Santa Rosa’s nightmare: The city would have to repay Hahn’s 1973 “good faith” deposit of $500,000 (with interest), and the developer now had approval to buy the property on both sides of Third St. where the Sears store was to be built. As Hugh Codding pointed out, he would be paying roughly 15¢ on the dollar, so he could reap further millions by selling that prime real estate at market rates.

The City Council rushed to approve the street closures as expected, although this time the vote wasn’t unanimous. It seems the pro-development forces had another problem: One of the leading rebels was now sitting on the Council.

With rare exceptions (such as Hugh Codding’s tenure in the 1960s) the midcentury Santa Rosa City Council was made up of middle-aged shopkeepers and the occasional banker.3 So it came as a surprise to many when the city’s general elections held a few days after the groundbreaking found the top vote-getter for the Council was Jerry Wilhelm, a 27 year-old attorney. Wilhelm had worked at the California Rural Legal Assistance nonprofit and was attorney for the Santa Rosa Ad Hoc Citizens’ Committee, which had emerged as the leading activist group opposing the mall. They had a reputation for butting heads with the city, most famously in early 1977 when the mayor was forced to admit the Council had acted illegally by rushing through approval of a subdivision so the landowner could enjoy a fat tax break.

Once on the Council, Wilhelm wasted no time in challenging the status quo. (Part of his campaign motto was, “stop special favors to the favored few.”) He was a Fifth Street tunnel advocate, insisting something to preserve the street needed to be addressed before mall construction began.

As far as Hahn’s threat to leave unless the streets were closed, Wilhelm said it was a bluff because Santa Rosa was such a “plum” he’d never walk away. The EIR was outdated and needed to be amended or completely redone, Wilhelm insisted, particularly the section on mall financing in light of Prop. 13. And speaking of which, Hahn had said he would donate $400 thousand annually to the city for ten years to make up for lost tax revenues. Wilhelm replied Hahn was going to be saving $1.2M a year in taxes under the new law, so he wasn’t really being so benevolent.

Wilhelm was invited to speak at a Downtown Development Association luncheon. Gentle Reader probably assumes the merchants in that bastion of Babbittry would be fighting mall construction tooth and claw. The addition of dozens of new chainstores just down the street couldn’t possibly help their own businesses – right?

To the contrary, Wilhelm was told 85 percent of the membership was not concerned at all. The Councilman argued the point; he told them a mall is “not designed to have a spill-over effect. It’s a little too much to expect that people will start to walk all over town after driving that far (to get to the shopping center),” the PD reported.

But the DDA loved the plans and saw the street closures working to their advantage because it would create a bottleneck on Third Street. Wilhelm taped the luncheon meeting and recorded Bill McNeany, head of Rosenberg’s Department Store, saying this:

“We want a captive shopper. And once he gets down here, let him fight his way out, to then shop in the stores on his way out – ‘I’m not going to go to my car because the traffic is too bad. I’ll go shop instead.’ Once we get him in, let’s keep him here. We want a captive audience.”

Gaye LeBaron though it rude of Wilhelm to record the meeting and it was a shame McNeany got flak for his remarks since he was really the “original Mr. Nice Guy.” But someone (Gaye suspected Codding attorney Bill Smith) took his idea and formed a parody organization, the “Committee to Close Third Street too.” T-Shirts were made and press releases handed out; one read, “Let’s close Third Street too and then instead of one vast city we can have two half vast cities!”

We fly ahead to 1980; Sears’ new store opened and there was still squabbling over what was to be done with Fifth Street. All of the many lawsuits against the mall were over, except for a Codding appeal challenging the EIR and that 1978 complaint about street closures filed by a coalition of Santa Rosa citizens’ groups as mentioned above.

captivead(RIGHT: One of several ads from the Coalition for a Sensible Downtown Plan that appeared in the PD during 1978-1979)

Part of that coalition was the “Coalition for a Sensible Downtown Plan” – which was partially funded by the Coddings – and the group assumed leadership, printing leaflets and buying large ads in the Press Democrat, such as the example shown here. Some ads would list names of a hundred or so people who had signed aboard, but all included that tone-deaf McNeany “captive shopper” quote.

When the suit finally came before Superior Court Judge Bryan Jamar, they found him as sympathetic as any plaintiff could wish for. When the city attorney said traffic studies showed traffic would flow smoothly once Fourth and Fifth streets were fully closed, the judge snapped, “You wanna bet?” and he wouldn’t change his mind “even if there were a zillion traffic studies.” Still, he ruled the city had the power to abandon those public rights-of-way, as “it was the council’s decision to make based on the evidence they had at the time.” Poof! And our last hope to integrate the mall as part downtown vanished.

The Sensible Downtown group was led by Hal Coleman, a board member of the influential Santa Rosa Democratic Club and who had been a candidate for Council in 1978. Now in 1980 he was running again, this time as part of a “slate” with fellow Sensible Downtown activist Norman Boyer, the two of them vowing to join Wilhelm in creating a new “philosophical majority.”

The thought of the three of them voting in synch surely caused ice water to run down spines at City Hall, as it was the exact scenario that led Hahn to sue Corte Madera six years earlier. There an anti-mall council was voted in and they put Hahn’s shopping center development on hiatus. Hahn retaliated by filing a $10M suit for supposed lost future income. A PD editorial called the possibility of something similar happening here “disturbing:”

…They imply they would join with present Councilman Jerry Wilhelm to form that new majority. We find this disturbing, because one of the positions which all three have in common is opposition to the downtown shopping center as it is presently planned…It seems logical to us that the election of Coleman and Boyer could be considered by them, and Councilman Wilhelm, as a mandate to reopen the entire downtown plan for review. Reopening the subject of the downtown plan at this late date would be counter to the interests of the city…

That neither of them won is somewhat a surprise, as even the PD conceded the Sensible Downtown group seemed to have broad popular support. Perhaps it was because there was a sense that the game was over – which it indeed was. There would be no further lawsuits or other actions to delay construction or seek design changes of the mall.

But there was a final big lawsuit to be filed that year: In July, the Redevelopment Agency sued the Coddings for $4 million plus damages. Among the charges were “malicious abuse” of the courts by filing ten suits and financing five more to delay mall construction and prevent its financing.4 Codding agreed to a $675k out of court settlement in 1982.

Codding attorney Bill Smith was portrayed by the Press Democrat as a bully, hectoring the poor, poor members of the City Council or Redevelopment Agency who had to sit quietly through his anti-mall diatribes and aggressive questioning. For those keeping track of such things, let it be known at three hearings police were called to get Smith to hush up. On one of those occasions Smith had been challenged to a fistfight.

But besides serving the interests of the Coddings and their construction business, he deserves great respect for acting as the de facto public watchdog over Santa Rosa’s whole urban renewal/redevelopment slog from 1973 to 1980, even on points that didn’t directly impact Codding. Thanks to him we learned of Hahn’s threatened lawsuit against Corte Madera after he obtained a copy of the developer’s letter and slipped it to the PD.

Smith was in attendance at a URA meeting in January 1975 when the Agency discussed what to do about the Bishop-Hansel auto dealership and its claim the agency owed it $300,000. (For those needing a refresher in the urban renewal game: A city agency would pay market value for a property, bundle it with other parcels and then sell everything to a developer for pennies on the dollar.)

Walter Hansel said he was told in April 1972 by Lester Beldon, then the URA chair, their A Street location would be redeveloped. Then and over the following years, the agency told Hansel the purchase deal would go through “sometime in 1972,” 1973, 1974, “and perhaps April 1975.” Meanwhile, the Ford dealer had spent more than $300k preparing for their move to Corby Ave.5

Although Smith was not the attorney for the dealership, he spoke up at that 1975 meeting to point out an interesting detail: The car lot was within the Phase III area. Hansel supposedly had been told it was going to be part of the land required by the mall more than two years before the City Council hearing where Phase III would be approved.

This started “another of those bitter shouting matches” (as the PD put it) between Smith and the URA directors, who refused to answer any of the lawyer’s questions.

Said Smith, “I don’t think we’ve been told everything the agency knows. I think the taxpayers of Santa Rosa have a right to know why a reputable firm is bringing this action.” He was told to sit down and this, by the way, was one of those meetings where the police would be called to silence him. True to par, the agency followed by debating whether there was any way they could blame their broken obligations to Bishop-Hansel on Codding.

While Bishop-Hansel was reluctant to leave its downtown location, another business within Phase III was quite eager to move.6 It was Sears, and their managers had likewise started making plans in 1972, before the area got a green light for redevelopment. Only Sears wasn’t talking to Santa Rosa’s URA – they were negotiating with developer Hahn.

Architectural elevation drawing by Cal Caulkins of the Sears Department store on B Street.
Architectural elevation drawing by Cal Caulkins of the Sears Department store on B Street.

And what makes that twist in the narrative particularly interesting is that those talks were supposedly underway even before Hahn was in the picture.

Recall in early 1972 there was no developer tapped to develop the shopping center – or whether there would even be one. In March, URA Executive Director James Burns ran an ad inviting developers to contact him because they were “interested in exploring the possibility” of a downtown mall. By the end of the month the URA was in “exclusive negotiations” with Hahn which would continue on for a full year. That history is recounted in the chapter, “THE CHOSEN ONE.”

Hahn’s interest in a Santa Rosa project and his exclusive deal were first announced in the PD on March 28, 1972. (Please make note of that date.) The article also reported, “Mr. Burns said representatives for Sears in Santa Rosa have expressed some interest in the shopping center idea and are watching related steps closely.”

But a few years later, the Coddings obtained a letter Sears wrote to Hahn. According to the description of the contents printed in the PD, Sears told him they would be willing to sign on to the Hahn project as long as they could be guaranteed there would be an acceptable deal to sell the B Street property. The letter was dated February 23, 1972 – five weeks before Hahn was named as the chosen developer for the mall:

The Codding firm cites as evidence a letter from Sears to Hahn dated Feb. 23, 1972. Signed by B.K. Horne, property and construction manager at the Sears Alhambra office, the letter authorizes Hahn to announce that store’s interest in relocating its B Street store into the new downtown. Sears said its willingness to relocate was conditioned on an agreement by Aug. 31, 1972, and “the required disposition, whether by direct purchase or trade, of Sears current ownership of the present (B Street) Sears facility and its attendant land.” (Press Democrat, February 16, 1975)

Put this 1972 timeline under the microscope. February: Sears told Hahn they’ll need a purchase deal. March: The URA announced Hahn will be the developer. April: The URA promised Bishop-Hansel, which was just a block from Sears, they would get just the sort of market-value purchase deal Sears was requiring.

There’s a lot to unpack and it’s above my pay grade to even hypothesize whether or not all of that was completely legal. But it certainly seemed hinky; commitments were being made by a city agency to spend large sums of public money on an unapproved development project, while a wildcat developer with no connection (yet) to the city was negotiating deals that would do the same.

The 1975 PD article continued: “Nell Codding, secretary-treasurer of Codding Enterprises, the developer and former city official’s wife, said she believes Sears was demanding a good price for its B Street site before agreeing to enter Hahn’s project. She contends Hahn, in turn, pressured the city to declare Sears in the Phase Three urban renewal area to guarantee its entry into the project.”

Thus here, as best as I can piece everything together from ever-so-many Press Democrat articles, was the Big Plan: The 1972 RFP for shopping center developers was a sham because Hahn – who was recommended by URA exec James Burns – must have been secretively already chosen the designated winner. Hahn needed an anchor tenant for his future mall, and Sears was willing. For Sears to easily get market rate for its existing building they needed the city agency to buy it. In May, 1973, the City Council extended the urban renewal study area to include the blocks with Sears, the Ford dealership and the Cal Theater. Phase III was born, and with it was lost the hope for an intergral downtown.

So for the last time, imagine standing at the end of Fourth Street gazing west. Before you is the Great Wall of B Street, forever chopping off a large part of downtown Santa Rosa. As you grind your teeth and blame the 1970s City Council, the Urban Renewal Agency, the foolish downtown merchants and developer Ernest Hahn, don’t forget to aim some of your ire at Sears, which didn’t care what would happen to Santa Rosa as long as they got a good real estate deal.

NEXT: REGRETS, WE HAVE A FEW


1 The February 6, 1977 PD (page 3C, or #37 in newspapers.com) also shows a model for a Railroad Square “rehabilitation” and the only aerial photo I’ve ever seen of the demolished project area, although the Occidental Hotel, Cal Theater, and other Phase III structures are still standing.

2 The coalition suing to block the closure of Fourth, Fifth and A streets consisted of the Coalition for a Sensible Downtown Plan, the Irate Taxpayers Committee, Sonoma County Tomorrow and the Santa Rosa Ad Hoc Citizens’ Committee

3 Also on the City Council in 1978 (and was, in fact, then Santa Rosa’s mayor) was Donna Born, former Chair of the city Planning Commission. As discussed in the EIR chapter, she had spoken eloquently during the 1974 EIR hearing questioning the need for the mall to be enclosed and whether the mall’s design would integrate with the rest of downtown. On the Council, however, she mostly voted with the majority in favor of redevelopment although she identified herself as liberal.

4 The Press Democrat and other sources usually accuse the Coddings of being responsible for 18-22 lawsuits against the mall. See discussion in fn. 5 of the previous chapter.

5 Bishop-Hansel sued the URA in May 1975 for $500 thousand and asked another $350k in damages. The Ford dealership lost their case that November after the court ruled they couldn’t show URA statements had damaged their business. The following month they completed the move to Corby Ave.

6 The Santa Rosa Sears building was still fairly new having opened in 1949, but the chain felt it had outgrown its 75,000 sq. ft. and wanted to expand. The new store in the mall would be almost twice that size, not even counting the 18,000 sq. ft. auto center.
1978 rendering of the entrance to Santa Rosa Plaza
1978 rendering of the entrance to Santa Rosa Plaza

Read More

eirtitle1

ROAD TO THE MALL: THE BIG BOOK OF RED FLAGS

Had City Council members actually read and understood their own report, they might have discovered their pet project was probably going to ruin downtown Santa Rosa.

The document was the Environmental Impact Report (EIR) related to the downtown shopping mall proposed by Los Angeles developer Ernest W. Hahn. State law requires a study be prepared before construction begins on a major project like that and it mostly addresses the sort of issues you might expect – will the project create air pollution, harm water quality, overload power lines, etc. etc. etc. A 321-page draft version written by a San Mateo company was delivered to Santa Rosa a few days before Christmas 1973.

In the following thirty days anyone could comment on what was found (or not found) in the draft. Questions were directed to city staff, the project architect or others involved. Their replies appeared in the final EIR, which was released Oct. 1974. In any EIR that last volume is worth a close read because it almost always has more of the real lowdown about what’s going on.


QUESTIONS RAISED, RARELY ANSWERED

Remarks from over two dozen individuals, companies and firms can be found in the final EIR but many were technical in nature. For reference sake, these six people contributed most to topics discussed here:

Donna Born   Planning Commission Chairperson

Dolores Clayton   League of Women Voters President

Dan Peterson   Santa Rosa architect

William (Bill) Smith   Codding Enterprises attorney who attended every public hearing regarding the mall and redevelopment of the project area

 

Peter Bolles   Shopping mall architect (also son and partner of John Savage Bolles, who designed Candlestick Park)

James K. Burns   Executive Director of the Urban Renewal Agency (URA)

(Here’s also a reminder that this is part of a broader series on Santa Rosa redevelopment: “YESTERDAY IS JUST AROUND THE CORNER,” which includes an index covering everything on the topic going back to the 1960s. This is chapter eight of the series just about the downtown mall)

Critics jumped on the uneven quality of the EIR, but I’ll preface that discussion by noting the consultants didn’t make much of an effort to learn about Santa Rosa or the history of the project. Not one of the well-informed commenters listed in the sidebar were interviewed. Instead, the people they spoke to included a pharmacist best known for collecting old bottles; a driver’s ed teacher; the two women who researched Carrillo family history and the guy who ran the Robert Ripley museum. As far as I can tell, none of the interviewees contributed information or expressed a public opinion about the mall and redevelopment project, either pro or con.

Some of the official replies make you wonder if these experts even visited town. Donna Born asked why it needed to be a sealed-up fortress and cited the “energy crisis,” which was the top news story of early 1974.1 She commented, “I think it is a little silly today to be espousing that large of an air conditioned area in a city like Santa Rosa that really doesn’t need air conditioning.” Architect Bolles’ answer suggested he thought the city was somewhere in the tropics and beset with monsoons:

The climate of Santa Rosa is well known for wet winters and hot, dry summers. Because of the inconvenience and hardship in either climactic extreme, an enclosed mall was considered a must…one only has to carry a shopping bag a block or so in driving rain to recognize the desirable aspects of an enclosed “shopper’s street.”

It’s a lesser quib, but even their logo on the EIR report reflects out-of-town cluelessness. It’s a drawing of a sculpture erected in 1971 near City Hall (a photo can be seen at the end of this article). From what I can gather from the Press Democrat’s coverage at the time, the Arts Council had a grant to commission a work of civic art and that was the only viable submission. The work was never mentioned by the paper again and was otherwise ignored; choosing it to symbolize a project expected to redefine the city into the next century was simply bizarre.2

Odd choices and/or naiveté aside, it seemed Santa Rosa really didn’t want the public to know what was in the EIR. Dolores Clayton remarked, “We would hope that the Urban Renewal Agency would make much greater efforts than it has in the past to get citizen input into the Project. For instance, the Environmental Impact Report is costly to purchase and there is only one non-circulating copy in the Library.”

URA director Burns countered, “The Environmental Impact Report is costly to purchase because it is costly to prepare. Our Agency is always conscious of trying to keep down the cost of governmental services to taxpayers.” He added there were “two copies in the City Clerk’s office, and three copies in our office for public use at no cost.” Please enjoy reading those 300+ pages while standing at a service desk.

Then there was the February Planning Commission meeting where they discussed the EIR. Only four members of the public attended (three of them from Codding Enterprises) because, gosh darn it, nobody from the city thought to put a meeting notice in the paper, although this would be the only time the Commission would discuss the report.

Architect Dan Peterson sent a letter to the Commission saying he would have been there if he had known it was on the agenda:

Over the past month I have discussed the shopping center layout with several persons and discovered they were not aware of the present proposals which to my knowledge have never been published in any public document other than the EIR…the Agency is not making it possible for the public to review and comment upon the project which is the intention of the Environmental Impact Review process.

It rankled all of the critics that the Planning Commission had no say about the EIR or anything else concerning the mall project, per City Council dictum. All they could do was make comments – and as noted earlier, commissioners were attacked when they even dared to raise questions.

Codding attorney Bill Smith pointed out this was unprecedented:

The Urban Renewal Agency is apparently proceeding on the basis that it will act as judge and jury of the EIR which it has caused to be prepared for its own project… [Normally] the EIR procedure would involve a review by the Planning Commission with right of appeal to the City Council. The Hahn proposal will be subject to no such review by the Planning Commission or the City Council; it will be handled internally by the Urban Renewal Agency… It is apparent that the Urban Renewal Agency will not review the draft EIR as intensively as would the Planning Commission if this were any other project.

A major shortfall in the EIR mentioned at the Commission meeting was that it contained nothing about what impact the mall might have on highway traffic – which was particularly surprising considering the mega-mall was supposed to suck up all retail trade between Marin and the redwood netherlands. CalTrans wrote two letters to James Burns complaining the issue should have been considered, although he did say the mall would probably only increase traffic volume by ten percent, so there shouldn’t be problems. Gentle Reader can guess what happened next: By the time the mall was fully opened in 1983, it appears traffic on that section of Highway 101 increased 30-40 percent – far above maximum capacity. Perhaps you remember sitting on the freeway in some of those epic backups; I sure as hell do.3

The Draft EIR also provided the first glimpse of what the future mall might look like. All freeway traffic would come and go through Third Street. Parking lots and a huge, two-story garage along B Street would effectively cut the mall off from downtown. At a February meeting with the Planning Commission, the URA said the drawing – which they had submitted only a few weeks before – was already out of date and B Street parking had been scrapped. Now there was to be underground parking and garages surrounding the mall’s other three sides.


Preliminary layout of proposed shopping center, looking east. Source: 1973 Draft EIR pg. II-3
Preliminary layout of proposed shopping center, looking east. Source: 1973 Draft EIR pg. II-3

Look closely at the layout and note there is an east/west open space through the middle – a direct passageway between B Street and Railroad Square. But was that to be inside the mall (and thus only available when the mall is open) or was it an outdoors corridor? The final EIR made it known the city and the developer were trying to have it both ways:

URA Director Burns promised “The City design staff is working on several other elements that will make the center more a part of downtown. One of the most important elements is the pedestrian link from Courthouse Square to and through the shopping complex to Railroad Square.” Elsewhere, architect Bolles wrote there would be landscape planters “on either side of the Fourth Street pedestrian walk which leads across the site on grade, from Morgan to B Street. The tree­lined Fourth Street pedestrian walk will be an important landscape feature connecting downtown with Railroad Square.”

Above all else, what everyone wanted most was for the mall to be integrated with the rest of downtown. In the EIR there was found a two page discussion revealing the developer had other ideas.4 The authors of the EIR waved the biggest and reddest of flags trying to draw our attention to the fate that would otherwise befall our town:

…the schematic project design does carry some significant, potentially adverse implications for the aesthetic character and urban design quality of downtown Santa Rosa. The progress of the design development of the project deserves the continued attention of the public and reviewing officials…one of the potential problems of the shopping center design is that it must recognize the center is not an isolated community in itself, accessible only to motorists, but should become a member of a larger commercial and social community accesible also to pedestrians…if the shopping center design were to treat the downtown area essentially as another major tenant of the center – which in effect it is – the design of these pedestrian links would undoubtedly be more heavily emphasized.

Although the City Council apparently didn’t take notice, the mall critics did. Planning Commissioner Frances Dias wanted to redefine the project: “I take great exception to anyone that calls this a ‘shopping center.’ It is downtown. It is not a shopping center, And I think it is very important to the health of the community, again, as I say, that the integrity of downtown be maintained.”

Dan Peterson gazed into his crystal ball and saw shoppers wouldn’t venture outside the mall into downtown: “I am not opposed to the commercial land use providing that aesthetics and scale relate to Santa Rosa and not San Jose. The enclosed single structure concept would not encourage shoppers to extend themselves into the downtown area because of the total air conditioned environment – including malls. The planning consideration obviously has not been extended beyond the project property lines.”

And Dolores Clayton accurately predicted the mall would lead to the decay of the downtown business sector:

The Environmental Impact report indicates inadequate provision for pedestrian access to the Project. There is also, we note, no reference to provision of links with public transportation…This lack of integration, this forbidding encapsulation, would seem to be counter productive from the stand point of enhancing the entire Downtown area. Might not the affect of such a self­contained Project rather be that of a vortex drawing all the vitality to itself at the expense of weakening the rest of the Downtown area?

The URA’s James Burns responded to Clayton (hers was the only letter he answered). “The Urban Renewal Agency is using the Central District Development Plan as a guide in developing downtown,” he replied. “The main difference between the Redevelopment Plan and the Central District Development Plan is that, by necessity, the Redevelopment Plan has more flexibility.”

Well, no. The 1968 Central District Development Plan was the result of hundreds of hours of public meetings; crucial decisions in the Redevelopment Plan were made by seven unelected URA appointees and the Agency staff. The plan from 1968 focused on remodeling and restoring existing buildings, creating a convention/arts center, a tourist center, a transit center and a hotel/motel complex. It had a four stage schedule to beautify downtown with fountains, greenspace, outdoor cafés, arcades to house cute small shops and a plaza meeting place. It wanted to make downtown ultra-friendly for pedestrians and aimed to fix traffic problems, not make them worse. It said nothing about bulldozing a third of the downtown core to build a colossal shopping center. Comparing the 1968 Plan to what Burns and his crew were planning was like comparing fluffy kittens to ATM machines.

The EIR was officially accepted at a marathon public hearing that lasted seven hours (!) and is covered in the following chapter. But before leaving this topic I yield the floor to Commission Chairperson Donna Born, whose observations perfectly summed up the train wreck that awaited us:

I have been in several centers, like I’m sure everybody has. They [are] all alike, They [are] 2-3 stories, and they have got a 2-story mall with the tile floor and piped-in music and buildings around. And they’re sometimes attractive, but they’re always worlds unto themselves. They’re completely isolated. There is no feeling of identity with anything else, And I think that, unless it has a special relationship with the rest of the downtown, then we are just setting the stage for our next Urban Renewal project. Also, I think that the design as I see it, has no human scale, and I think that is essential to what Santa Rosa is all about. And I am certainly, obviously, no designer, but I think I have hunches about what makes a human scale and I don’t see it in this kind of self-contained 3-story thing.

 

NEXT: THE WAR COUNCIL

 


1 The “energy crisis” lasted approximately between Oct. 1973 and March 1974. Caused by an OPEC embargo on oil sales to the U.S. it created gasoline shortages nationwide. The Press Democrat ran front page stories describing cars lining up several blocks long, starting at dawn, as drivers waited at one of the few gas stations that remained open. Police struggled to keep intersections clear and the Highway Patrol found traffic stopped because off-ramps near stations were backing up onto the freeway. The price for premium gas at the time was about 55 cents a gallon.
2 The City Hall sculpture was created by Shirley Wastell, a Sonoma Valley artist known as something of a character. According to a Gaye LeBaron column, she drove a station wagon festooned with her sculptures of frogs, birds, dragons, and “six cats on the roof reclining in various cat positions.”
3 There was no traffic measurement given directly at the Third Street exit. Between 1974-1983 there was an increase of 32% at the College Ave. exit, so it does not include traffic from the south. The closest exit from that direction was at Todd Road, which increased 64 percent. The average between the two was 48 percent. “The flow on 101”, Press Democrat, March 10 1985, page 1B
4 Draft Environmental Impact Report Vol. II, pg. 98-99

 

Civic art created by Shirley Wastell, unveiled next to Santa Rosa City Hall June 19, 1971. Somewhat in the style of postmodern artist Joan Miró, the sculpture was supposed to represent "man surrounded by world involvement." The artist was paid $3,500. Photo from a 1974 URA pamphlet.
Civic art created by Shirley Wastell, unveiled next to Santa Rosa City Hall June 19, 1971. Somewhat in the style of postmodern artist Joan Miró, the sculpture was supposed to represent “man surrounded by world involvement.” The artist was paid $3,500. Photo from a 1974 URA pamphlet.

Read More

caltitle

ROAD TO THE MALL: SAVE THE CAL

In the spring of 1972 a couple of notable men came to Santa Rosa. Peanuts cartoonist Charles Schulz moved here from Sebastopol and Los Angeles developer Ernest Hahn entered “exclusive negotiations” with the city to build a downtown shopping center.

greatpumpkinOne fellow inspired powerful men to believe they could pull off an economic miracle for their town. The other invented a kid who tried to delude people into believing in magic pumpkins.

Since there are already plenty of webpages devoted to Peanuts, let’s just keep talking about the mall that many feel wrecked Santa Rosa.

This chapter is about public opposition to constructing the mall, particularly the “Save the Cal” campaign to preserve the town’s great Art Deco moviehouse on B street. (Here’s also a reminder that this is part of a broader series on Santa Rosa redevelopment: “YESTERDAY IS JUST AROUND THE CORNER,” which includes an index covering everything on the topic going back to the 1960s.)

Two years passed before there was any citizen pushback to building the mall. That may be surprising but as discussed earlier, there could be many reasons why people weren’t upset at first about a third of the downtown core being wiped out (and about to be sold to a developer for a fraction of its market value). Some clearly thought a big shopping mall would be a good thing – after all, that’s what the Press Democrat and all the city leaders kept saying. Some probably didn’t understand the scope of what was going to be built; Hahn’s architects hadn’t shown anyone drawings or models of what it might look like. And some were probably wary because Hugh Codding and his lawyer were loudly opposing the project with its giveaway land deal to a competing developer, and Hugh was never more of a polarizing figure than during those years.

“Save the Cal” is the protest we all commemorate today, but it wasn’t the first anti-mall dissent. More than a year before preservationists tried to protect the theater from demolition over 6,000 signed petitions to block demolition of the Levin Hardware building which was at the end of Fourth street next to the highway. The building had historic value, having survived the 1906 earthquake intact.1

The hardware store struggle began in March 1973, when owner Sam Levin sent an impassioned letter to the City Council. His store was slated to be demolished before September, as the city’s Urban Renewal Agency (URA) was buying up all the property west of B Street and bulldozing it flat in expectation of soon selling it to the developer (see chapter three). Levin complained he only agreed to sell the land under duress because the URA was threatening to otherwise use eminent domain. His letter, bitter and angry, read in part:

…First, I protest the fact that H. Levin Hardware, my family company, is scheduled for extinction. This is a business which has served the Santa Rosa community for 50 years. This is a building with historical value to the city and county since it is one of the last existing old time hardware stores in the West. This is a structure which, according to engineers, suffered no [1969] earthquake damage, is essentially sound, and can meet the new earthquake safety code if I was allowed to spend the money to reinforce it. Therefore, this is a building which does not need to be torn down but which urban renewal intends to destroy in order to make way for the construction of a building which doesn’t need to be built…Although I fully support the basic concepts of urban renewal, I remain humiliated by and disenchanted with the actual program…

Council members were sympathetic and agreed the store should not be torn down just to create a vacant lot. One member pondered whether the building could be moved to Railroad Square on the other side of the freeway. Another wondered if it could be incorporated somehow into the future mall, which is yet another example that suggests some city officials envisioned the design was going to be something of a super-sized version of Montgomery Village.2

The hardware store dodged the wrecking ball for over two years. During that time all those petition signatures were collected and letters appeared in the PD in support of keeping the store where it was. There was talk of trying to get it on the national historic registry. Hahn donated $10,000 to assist the move and the Press Democrat ran a photo of him with Sam Levin and two other men. Finally in August, 1975 the business moved into a new building on the Sonoma Highway designed to resemble the original. The old sign can be seen on the wall and the mezzanine uses historic flooring.

The Levin Hardware building as seen in 1979, after relocating to 4310 Sonoma Highway where it still exists today as Mission Ace Hardware. Image courtesy Sonoma County Library
The Levin Hardware building as seen in 1979, after relocating to 4310 Sonoma Highway where it still exists today as Mission Ace Hardware. Image courtesy Sonoma County Library

While the original hardware store building ultimately was demolished, those cheering for mall construction – city officials, the PD and downtown business interests – were patient with Levin and his supporters, treating them with due respect as they worked towards a compromise solution. But at the exact same time, those interested in preserving the Cal theater were not treated so kindly.


THE MOVIE PALACE ON B

The Cal was originally the G&S Theater built in 1923 and cost about $250k (over $4 million today). Originally with 2,000 seats it was the largest movie/vaudeville house between San Francisco and Portland and had a 40×90 ft. stage. Besides showing the latest hit motion pictures, it was the mid-week stopover for acts on the Pantages vaudeville circuit. Performers were accompanied by a 9 piece orchestra or the Wurlitzer theatre organ, with popular tunes being played between acts or films.

The “Save the Cal” campaign launched July 18, 1974 with the announcement that a committee was formed to get a proposition on the November ballot. The ballot item would also call for the old Post Office and the Scottish Rite building to be saved, as well as for the city to build the long-promised cultural and convention center.

The city immediately tried to smear committee spokesman Eivin Falk as being a flack or patsy for Hugh Codding. Falk, who was the architect for the community center portion of Codding’s planned shopping mall in Rohnert Park, said he was considering suing URA director James Burns for allegedly calling him a “Codding lackey.”3

The Press Democrat chimed in with an editorial, where it sniffed the paper had “as much regard for our charming old buildings as anyone” the campaign was “another flank attack on the downtown shopping center” and didn’t have much community support. News articles in the paper shifted to calling our downtown movie palace the “B Street theater.”

Mention “Save the Cal” on social media today and most wax nostalgic about the fundraising rock concerts at the theater. The same evening the committee was announced, the Pointer Sisters plus Butch Whacks & the Glass Packs performed, with enthusiastic PD reporter Diane Morgan describing the audience dancing in the aisles and calling it “an indisputable success for the committee attempting to ‘save the Cal.'” (A video of the Pointer’s high-energy show from that time can be viewed here.) A concert by Boz Scaggs followed a month later.4

calflyerBut here’s the obl. Believe-it-or-Not! twist: Neither of those concerts were fundraisers. The local promoters allowed the committee to hand out the flyer shown here in the lobby and it’s likely someone onstage mentioned preservation efforts.

Thanks in part to the smashing success of the concerts, the future of the Cal theater was about all anyone talked about in the following weeks. The PD tried to gin up controversy because Falk wouldn’t name others on the “Save the Cal” committee until they had incorporated as a non-profit.5 Hugh Codding and the attorney for Codding Enterprises repeatedly had to deny accusations they were secretly behind the group. Unable to prove any connection, the paper took to claiming they were “inspired” by Hugh. Towards the end of the preservation campaign the PD would print that the committee had been “entirely funded” by him but to date the group had raised all of $1,350 over about two months, not counting 57 bucks collected in donation cans around the city.

Hahn tried to get in front of the parade by announcing it was possible he could incorporate the theater into his mall, but after a quick look-see told the PD it wasn’t realistic:


Hahn said five engineers were testing the building’s structural soundness and acoustics. He said from preliminary reports the Cal looks like a “pretty bad building. We would practically have to rebuild the building.” And he said he wasn’t sure what might make someone want to save the Cal. “I talked to the owner and he does not know anything remarkable about it,” he said.

Likewise the president of the Redwood Empire Chapter of the American Institute of Architects said it had no architectural or historic value. And the Sonoma County Arts Council – which later received a $15,000 donation from Hahn – would not support preservation of the theater.

The PD quoted the city’s chief building inspector as saying the theater had “apparent damage” from the 1969 earthquake. Hogwash, realtor and committee member Oma Carpenter wrote in a letter to the editor:


…it’s structural safety is questioned now only because of political motives. The acoustics in the building are magnificent, the stage is very large, (one of the largest in Northern California) the 17 dressing rooms are very satisfactory, and the beautiful organ is in good condition, and is considered one of the finest pipe organs in California.

Also jumping on the bandwagon was Codding, who – true to form – came up with a brilliantly odd proposal. The Cal was owned by United Artists. That moviehouse chain rented a theater in Merced which happened to be owned by Codding. Let’s swap ’em! Hugh proffered. Predictably, the PD presented Codding’s new interest in the theater as more evidence he was really the committee’s puppeteer.

While Codding wasn’t involved with the committee (aside from making a $250 personal donation), they shared nearly identical plans. The Cal, old Post Office and the Scottish Rite Temple would remain untouched; there would be a major department store or two, shops, hotel, a convention/community center and housing. The committee’s design (shown below) included quite a bit of greenspace and called for connecting the project area to Juilliard Park.

"Save the Cal Committee Proposal: A Downtown 'Cultural Heritage Center'". Press Democrat, Sept. 10 1974
“Save the Cal Committee Proposal: A Downtown ‘Cultural Heritage Center'”. Press Democrat, Sept. 10 1974
What both resembled most were the plans envisioned by the city prior to the 1969 earthquake and before Hahn was welcomed to town. Yet while the Press Democrat spilled barrels of ink demonizing Codding as some sort of mountebank and the Save the Cal committee as misguided dupes, not once (as far as I can tell) did the paper observe they were promoting conservative ideas which were the accepted wisdom not so long before – redevelopment plans that fundamentally didn’t change the ways the project area had always been used. Alert readers might have caught the paper’s bias when it used character smears and innuendo to blast Codding and the committee, but harder to spot was when the press omitted such pertinent facts. Add this to the long list of ethical problems with the PD’s involvement in the race to build the mall.

Apparently rattled by the popularity of the rock concerts at the Cal, the pro-mall forces came up with a new talking point – ‘we know everyone wants a performing arts venue downtown but gosh darn it, we can’t afford it until the mall’s finished and bringing in tons of cash.’ To justify that point they dusted off a two year-old study from San Francisco consultants Bruce Lord & Associates. Here’s part of a September PD editorial:


It is becoming increasingly evident that the “Save-The-Cal” campaign is in reality an attempt to destroy Santa Rosa’s plans for a regional shopping center and with it the means to finance a convention-cultural center…We suggest that Santa Rosans who are interested in the true costs of such a convention-cultural center go back to the Oct. 16, 1972, study by Lord Associates with coordination by a committee chaired by Gaye LeBaron. They would find that such centers don’t come close to paying their own way. The only way such a center could be constructed in Santa Rosa would be with increased tax funds generated by the proposed new shopping center.

calcostsExcept that wasn’t what the study and its local committee said at all. The main findings – even as reported in the PD at the time – were that Santa Rosa needed two facilities, one being a 2,500 seat auditorium and the other having an open floor for conventions, dances and such. As for financing, Save the Cal President Harry DeLope wrote a letter citing chapter and verse from the study (I’m amazed it was printed, as he exposed such blatant editorial misinformation). He pointed out the study projected the venue would break even after 180 events. Save the Cal followed up with an ad in the PD seen at right, showing the taxpayer’s cost of constructing the convention and cultural centers via the usual route of using muni bonds was almost exactly the same as developing the property before handing it over to Hahn. (Note the PD’s absurd number of typesetting errors.)

In September the committee asked the city to approve twelve locations where they could gather signatures for their ballot initiative. The City Council refused.

Not allowing citizens to sign a petition seems a mite undemocratic, but the City Attorney went even farther, saying the “initiative is illegal under state law and laws governing the city.” Voters had no say on the downtown plan because it was an administrative or executive action, he said. With a straight face. Oh, bullshit, said the attorney for Save the Cal, citing the City Code that specifically allowed that sort of initiative.

But that was just the beginning of the city’s attack on the citizen’s group. The mayor and vice mayor suggested they were going to have the District Attorney investigate them for fraud. The reason? Because they were collecting money under the name of “Save the Cal” while the initiative was, in essence, actually a referendum on construction of the mall.

URA Director James Burns also had been in contact with a San Francisco man who did some work for the committee preparing their alternative layout before being fired for misrepresenting himself (the paper called him an architect but his name isn’t in the PCAD database). He claimed to be owed $150 for his work and wrote to the city hoping they would pressure Falk or Codding into paying him.

Falk – who had announced earlier in the meeting he was stepping down as President of Save the Cal “so that I may not be the reason the City Council chooses to use for ignoring [the initiative]” – said he might start a recall against council members. In what he said would be his last public statement, he accused Mayor Downey and Councilman Jones of possible conflicts of interest:


It is below my professional dignity to seek further support from city council members who conduct themselves like a circus sideshow while in session…Of what are the council members afraid? That their vested interests may not materialize without Hahn’s development or that the future promises they may have been given may not come true?

The City Council and the Press Democrat remained determined to find some link between Codding and the Save the Cal committee. When Hugh Codding and wife Nell were spotted at a City Council hearing sitting near two members of the committee, the PD ran a large photo. A Councilman demanded Harry DeLope name any Codding Enterprises employees who attended a rally. “Remember, you’re under oath,” Councilman Poznanovich said. (The reason they gave for requiring speakers to be sworn was supposedly because remarks could be later used used in lawsuits. This example, however, reveals it was used for intimidation. And if it’s an act of perjury to be imprecise at a City Council meeting, I can think of a few developers who should be enjoying San Quentin vacations.)

The attorney for Save the Cal filed suit to force the city to permit signature gathering. Meanwhile, a new group, the Taxpayers Committee for the Right to Vote (which was mostly – but not entirely – financed by Codding) took the initiative and circulated a petition for a referendum that didn’t just propose to save the Cal, but to ask voters whether plans for the mall should be scrapped. The City Council decided it was just a stalking horse for the theater advocates, and indulged in some snarky banter demonstrating they didn’t take the issue seriously:

Councilman Gerald Poznanovich said “I understand they have a new name.”

“Save the World.” Councilman Murray Zatman said.

“Save Codding Enterprises,” Jones said.

To counter the Taxpayers petition drive, the Chamber of Commerce and Downtown Development Assoc. hired a PR consultant to collect pro-mall signatures. A few weeks later the consultant boasted of gathering 1,500 names. Then the Taxpayers group dropped off a box at City Hall with 7,000 – almost twice the number required to hold a special vote.

Predictably, the Council again refused to consider a referendum. The Taxpayers committee sued, as the Save the Cal group had done earlier.

That was at the end of 1974; looking forward 17 months, Superior Court Judge Joseph P. Murphy Jr. made a ruling. In a rather convoluted decision, he blocked referendums from either group. Yes, citizen groups may place referendums up for a vote – but in this case there was a conflict with state law on redevelopment, so the committees would have to show the outcome might have impact beyond Santa Rosa.6

And that was the death knell for the Cal. The public wouldn’t be allowed even an advisory vote on preserving the three historic buildings. Santa Rosans would not be asked whether or not they wanted the shopping mall. (In 1976, however, the Corte Madera City Council said “participatory democracy” was important enough to put an item on the ballot regarding a mall Hahn intended to build there. The vote was against the mall.)7

Save the Cal had not been dissolved when Judge Murphy issued his decision but a few months had passed without signs of activism or even letters to the Press Democrat. That’s likely because Hahn filed a $40M lawsuit against Codding and any person, place or thing associated with him. More on this can be found in the next chapter, but the suit mentioned “Various persons, corporations and associations, not named at this time as defendants herein, have participated and acted in concert and conspiracy with defendants…” According to the PD, the list included committee members Olma Carpenter, Harry DeLope, and the Falks.

As Gentle Reader knows today, only the old Post Office was saved and that was only because of generous donations made to the Historical Museum Foundation of Sonoma County (DeLope was the group’s secretary).

The last picture show at the Cal was July 5, 1977. It was a Disney double feature: “Boatniks” and “The Gnome-Mobile.” The PD headline for the obit was “Three years later…the Cal Dies Unsaved.” Gloat much?

There were requests to the URA for permission to hold a farewell event at the theater but all were refused. In August there was a liquidation sale. The ticket booth cost $500 and seats were $40 each. The Wurlitzer pipe organ was dismantled and went to San Diego’s California Theater. Gaye LeBaron offered an item about the old stage curtain:


One interesting note about the oleograph that has become the most sought-after item in the Cal sale with even the City Council expressing interest. That colorful piece of memorabilia, with advertising from Santa Rosa for forty years ago, is up to $2,000 now and bidding is still going on. A couple of years ago it was soooo close to the garbage can I cannot tell you how close. When the Pointer Sisters appeared at the Cal two or three years ago, manager Wes Porter planned to use the old oleograph for a backdrop but the fire marshal, examining its flammability, ixnayed that. Porter took it down, rolled it up and was just about to chuck it out when he had a second thought and shoved it in a closet instead.

The Cal was torn down over the course of several weeks in November 1977. The Press Democrat’s front page on the 13th featured a heartbreaking photo of a bulldozer inside the theater, plowing away the remaining seats. The article noted it would soon be replaced by a parking garage for an “ultra-modern downtown shopping center.”

NEXT: THE BIG BOOK OF RED FLAGS

1 It was repeatedly stated in the March 8, 1973 Press Democrat and other articles at the time that Levin’s building was fifty years old, which was an error. The Levin Hardware Co. apparently had been there since 1935, but before that the building was the well-known McKinney & Titus home furnishings and appliance store, which began advertising in Jan. 1907 for customers to visit their new store at 304 Fourth. Prior to the Great Earthquake it was “The Santa Rosa Department Store.” The building was constructed in 1898.
2 At its February 14, 1974 meeting, members of the city Planning Commission raised questions about whether it could be an open air mall (MORE).
3 Falk’s wife countered the “Codding lackey” insult by charging Burns had a conflict of interest because of earlier dealings with Hahn, and should be replaced as Executive Director of the Santa Rosa URA. Burns denied the accusation and told the PD he was briefly the vice-chair of the URA in Cerritos, where Hahn was planning to build a shopping center. As Hahn already owned the property, that Agency had no role in selecting him to be the developer. Mrs. Falk withdrew her statement and apologized to Burns. Nonetheless, the previously unmentioned Cerritos history showed Burns indeed had a connection with Hahn years before he took a position in Santa Rosa, where he advanced Hahn as the sole viable developer.
4 The same local promoters, Crossaxe Promotions, brought Butch Whacks back in October for a concert pairing the band with Pablo Cruise. That one was held at the Santa Rosa High School auditorium instead of the Cal which meant a permit was required, and reportedly the promoters had to assure the city it was not a theater fundraiser.
5 Besides Eivin Falk, the “Save the Cal” committee was Harry DeLope (President), Jack Spiegelman, Fred Barclay and Oma Carpenter.

6 “Murphy’s decision indicated Santa Rosa’s charter and city code provide for the exercise of the right of initiative and referendum while the state Community Redevelopment Law provides for legal action as the exclusive remedy. In cases where such conflict occurs, Murphy said, jurisdiction will be decided by ‘whether the subject matter is a municipal affair or whether it is of statewide concern.’ Murphy’s decision that the question was one of statewide concern resulted in a ruling for the city.” (Press Democrat, March 31, 1976)
7 The issue of the Corte Madera mall was introduced in the previous chapter, where Hahn was threatening a $17.5 million suit if he couldn’t build there. He did file a $10M suit alleging “inverse condemnation.” The Marin project was initially proposed to be 1.2 million sq. ft. but when The Village at Corte Madera was eventually built by Hahn’s company it was pared down to roughly a third the size.
The Cal Theater in 1928, when it was also still known as the G&S. Image courtesy Sonoma County Library
The Cal Theater in 1928, when it was also still known as the G&S. Image courtesy Sonoma County Library
Cal Theater interior. Image courtesy Larry Lapeere Collection
Cal Theater interior. Image courtesy Larry Lapeere Collection

Read More