THE BATTLE(FIELD) OF SEBASTOPOL AVENUE

Want to visit the scene of “The battle of Sebastopol Avenue?” Sorry — it’s completely gone. Yes, the train tracks still cross Sebastopol Ave; yes, you can stand on the exact spot where the steam locomotives equipped with special jets “shot scalding steam and hot water right into the crowd of workers,” and where men from the rival railroads engaged in a tug-of-war with the body of the electric railway’s director. But while the location remains, the place has vanished. Few other parts of turn-of-the-century Santa Rosa has been so inexorably wiped out as these four blocks directly west of Highway 101, between the Hwy. 12/Sebastopol exit and the 3rd St./Downtown exit.

(By the way: Have you already read “The Battle of Sebastopol Avenue” and “Prelude to the Battle of Sebastopol Avenue?”)

The map to the right below shows what it looked like in late 1904. Streets were laid out in a classic grid. Third Street and a few others had a “W” added in front of the name after they crossed the railroad tracks, yet the streets were nonetheless contiguous; you could walk, bike, or drive a buggy the full length of any of these streets without detour. The south side of downtown was defined by Santa Rosa Creek, shown here in bubbly blue. Three bridges crossed the broad creek and connected the shopping and business district to Sebastopol Avenue — six, if you counted the new bridge for the trolley (not shown here), the steam railroad’s bridge, and the bridge seen at far right, which joined Sonoma Ave. to S. Main Street. In sum, it was a small town with something like a modest river running through it, and everything was within easy walking distance.

Contrast that to a modern map of the same area. The impressive waterway is now a trickle of the “Santa Rosa Flood Control Channel.” Except for Third, all the east-west streets are chopped in half, both by Highway 101 and the shopping mall. Between downtown and Sebastopol Avenue, Highway 12 further wiped out two of the three bridges. Sebastopol Ave. suffered the worst, with its east and west sides split wide apart by the Hwy 101/Hwy 12 interchange.

Today, a 1905 Santa Rosan who wanted to visit the scene of the battle, wouldn’t recognize a single thing. The only possible route from downtown crosses the Railroad/Olive St. bridge, which probably wasn’t a pedestrian bridge when it was built in 1904. Someone now can walk along the new Prince Memorial Greenway for the start of the journey — wonderful it may be now, but that didn’t exist in that day, either. Our 1905 visitor likely would be uncomfortable passing under Highway 12 on Olive Street; with the two-story berm beneath the roadway blocking everything to the east, it is like being inside a tunnel. The Sebastopol Avenue that emerges on the other side is forlorn, a concrete gray no-man’s-land. Never can you imagine this grim blast zone being once a vital part of downtown, alive with comings and goings. The City of Santa Rosa owes the Roseland community reparations for what has been done at this place.

A footnote: this posting on the geography of the “battle” originated as a series of notes and map doodles intended for personal use to work out what happened where and when. But as I read modern-day retellings of the story, I found confusion abounds. Some descriptions suggest there was only one scene of confrontation, merging the crossing on Sebastopol Ave. with the crossing at the brewery spur a few blocks north. Another frequent mistake is placing the brewery close to the location of today’s Chevy’s restaurant; in truth, the brewery was exactly where the Hyatt now stands. The December, 1904 Sanborn map shown at right also has an error; no Railroad/Olive St. electric railway bridge is shown, probably because it was too new — the Oct. 25, 1904 Press Democrat mentions that workers were starting to build the bridge that week. The PD noted on Jan. 9 1905 that “the new bridge was used for the first time” when the trolley began running from Sebastopol Ave. to Second St.

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UNUSUAL NEWS: DRUNK BEATS WIFE

This is the first report of local domestic violence that I’ve yet encountered in any 1904 or 1905 Santa Rosa newspaper.

J. THOMPSON AND HIS THEORY
Had a Legal and Moral Right to Beat Mrs. J. Thompson When He Pleased

John Thompson holds that he has a right, legal and moral, to whip his wife. This is a pet theory of John Thompson’s, especially when he is drunk, and as that is quite often, it may be said to be a ruling passion jointly with his passion for whisky. His latest outbreak along the lines occurred today, when Officer Herman Hankel was called down to the Johnson home, west of the California Northwestern railroad yard to rescue Mrs. Thompson from becoming a victim of her husband’s theoretical faith and incidentally to quell Mr. Thompson.

The officer succeeded in doing both in a prompt and effective manner, though he had to apply some of Thompson’s theory to that person. The wife-beater was busily beating the woman when checked by the stalwart man of peace. Thompson told Hankel he had a lawful right to whip her. He was then transferred to the city prison and a charge of battery lodged against the name he gave, but is probably incorrect.

Last night he visited the ante-room of the Eagles and with a “hard luck” story, worked on the feelings of a number of the brotherhood, getting a donation of $7.50. This he evidently used to theorize with on the person of his abused wife.

– Santa Rosa Republican, April 26, 1905

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IT’S A NOVELTY THAT THE PIANO’S FIXED

Westerns always have a slightly out of tune piano tinkling away in the background of saloon scenes, no matter how rough or remote the locale. But one of those old barroom pye-annas would have been a big improvement over the sad instrument at Santa Rosa’s main vaudeville theater, where fully 36 of the 88 keys didn’t work. This must have sounded beyond-belief terrible. Especially pity the poor singers who had to make do with random notes missing from their accompaniment.

The reference to “jack straps” here is an error; the writer confused the jack portion of the mechanism with the “bridle straps,” which are braided fabric ribbons connecting each key to the hammer. If a strap is missing, the key won’t return to position after being played, or will return so slowly as to make the note unplayable in all but the most mournfully slow music; even then, the pianist must sometimes need to lift up the key before playing it again.

NOVELTY THEATRE PIANO AT OLD PITCH

The piano in the Novelty theatre is back at its old pitch and is strictly in tune. For some time the piano, prior to last week, did not yield up as much music as it was warranted to produce. It had been acting “kind of strange” [as a] music producer for several weeks. Last week “Dr.” S. L. Parks was called in and he performed an operation on the theatre piano. He removed certain portions of the musical “anatomy” and anatomy that was not musical [sic].

The trouble, the autopsy showed was caused by mice having nibbled through thirty-six “jack straps” that have something to do with the mechanism of the key board. A more critical examination of the interior of the the piano revealed a nest of mice and in all seven were killed. The repairs made have increased the volume and quality of the music from the piano at the Novelty. Morris Zoberbier supplied the straps needed to replace those the mice had eaten.

– Press Democrat, April 13, 1905

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