I’VE SEEN THAT SOMEWHERE BEFORE

Architects rarely made the papers in the early 20th century, so it’s unusual that there were two articles about them in autumn 1906, and both involved some matter of controversy.

As described earlier, another casualty of the 1906 earthquake was the peripatetic career of William H. Willcox, a world-class architect who somehow landed in Santa Rosa. When the disaster struck, he was on the verge of having enough money committed to build a grand convention hall which could have allowed Santa Rosa to host statewide, even national events, as well as providing a civic center. He had also proposed a dam on Santa Rosa creek to transform it into a central park for the town, complete with electric lights, a swimming pool, and a bandstand. Alas, nothing more was mentioned of either project in the post-quake newspapers. Willcox was pressed into service as building inspector. He resigned after two frenetic months of quake inspections and supervision of all that new construction, not to mention creating Santa Rosa’s first building code and reviewing 23 blueprints. That’s a lot of work, even if Willcox was a man younger than his 74 years.

All the while, Willcox was advertising his services as an architect. It’s unclear whether he won any commissions (architects being rarely newsworthy, remember) but an ambiguous mention suggests he might have designed the new vaudeville house, which was a building on Fourth street between today’s Mac’s Deli and Stanroy Music. And although he received no credit, let’s hope that he was paid by Occidental Hotel architect L. S. Stone, who completely ripped off the design of his proposed convention center.

Even someone unschooled in architecture can see that these two buildings are nearly identical. The same old mission style, twin cupolas with spires, triple arches, even light fixtures are almost exact; architect Stone only miniaturized Willcox’s design slightly to accommodate wings for retail stores with hotel rooms above – additions which have nothing in common with the style of the core building. Imitation may be flattery, but copying another work this closely is today called plagiarism.

(The Occidental Hotel was on the corner of Fourth and B streets, and this detail from a colorized postcard shows the main entrance on B.)

The other adventure in controversial architecture has no local angle, except that an item about it appeared in the 1906 Santa Rosa Republican. It was also old news; the event had taken place twelve years earlier. Even though it’s far off-topic here, this tale deserves telling because it’s such a good story, and so thoroughly forgotten – as far as I can determine, it was published only once in the last century.

The story needs a running start: That 1892 architectural controversy was resurrected because of its tangential relationship to the 1906 murder of Stanford White by a man named Harry Thaw. Everything concerning the murder and two lengthy trials mesmerized the press, including both Santa Rosa papers – recall the media frenzy surrounding the O. J. Simpson case and multiply it tenfold. The wire service story printed by the Republican didn’t even concern victim White directly, but the architectural partnership of McKim, Mead & White.

Like no other architects, McKim, Mead & White defined the look of America in the Gilded Age, including most of the best examples of East Coast Shingle Style, which is the design used in Comstock House. Among their greatest work is the Beaux-Arts style Boston Public Library, which ranks among the finest 19th century architecture built anywhere.

The Bostonians hated it.

It was too expensive, critics complained in 1891 as the city debated floating a second million-dollar bond to finish the building, which was already more than double the architect’s estimate; the mayor and other officials began micro-managing the project, seeking to eliminate features, even doors, to save money. Librarians complained that it was a bad library because the building was so beautiful that it would distract readers. The pious set were outraged that children visiting the library would see naked statuary, and later that a life-sized statue of a nude woman was to be the centerpiece of the courtyard (the famed sculpture was instead given to the Metropolitan in New York, but a copy was eventually allowed in Boston, although the library’s official arts guide still doesn’t mention it). The yellow press in the city competed to expose the “Public Library Octopus,” even when they had to invent outrage – and often did.

In the midst of this superheated atmosphere, it was discovered that McKim, Mead & White had subtly placed their names on the building – or, in the view of the hysteric press, turned the library into a billboard for themselves.

On the exterior of the building beneath the window arches are ornaments meant to be tablets inscribed with the names of the great masters of art, science, religion, statesmanship, printing, and so on. On one of these tablets, a reporter for the Boston Evening Record discovered an acrostic – that read vertically, the first letter in each name spelled MCKIM MEAD WHITE.

A journal from 1892 described the backpedaling:


The Discovery of the acrostic on the new Public Library building, with the initial letters of the famous men of old spelling the names of McKim, Mead & White, the architects who planned the structure, first gave amusement to the public and then aroused indignation. But the architects say that it was no subtle scheme of theirs to obtain an enduring advertisement carved in stone, but must have been the practical joke of a young draghtsman in their office who arranged the names purposely in acrostic order, but kept the joke to himself.

There was much ado, regardless of who was responsible, and sadly the names were removed – but not before wags in the newspapers suggested that the city could pay for their white elephant library by selling an acrostic bearing the name of the most widely-advertised brand of soap.

HOTEL BIDS OPENEDContract for New Occidental Will be Made Next Week

Architect L. S. Stone stated Saturday that the bids for the erection of the new Occidental Hotel in this city had been received and that contracts would be entered into early next week for the construction of the hostelry.

This will be good news to Santa Rosans and all the traveling public, as there is a great need of a large up-to-date hotel here at this time. The plans for the new Occidental call for a two-story building extending from Fourth to Fifth street on B back to the alley. The main entrance will be in the center of the block on B street. The bids show that the hotel can be erected as planned for about $90,000.

– Press Democrat, September 30, 1906

NOVEL ADVERTISINGHow a Firm of Architects Got Its Name on a Building

Close observation on the part of a newspaper man in Boston several years ago revealed a striking device employed by the firm of McKim, Mead & White, the noted New York architects, of which Stanford White, who was murdered by Harry K. Thaw in New York recently, was a member. The device, says the Pittsburg Gazette-Times, was an acrostic of names famous in history, literature and art by which the firm’s name was to be engraved on the Boston Public library. As may be observed, the arrangement defied literature, history and philosophy in arrangement, and this was the thing that attracted the newspaper man’s attention. The names were conglomerated from all nations and ages into a seemingly neat ornamentation for the fine building. Beginning at the top of a space to be devoted to names famous in the world in various lines were the following:


Moses
Cicero
Kalidasa
Isocrates
Milton

These names, through their initials, formed the first part of the acrostic, spelling plainly “McKim.” A slight space appeared before the next list of names, which was:

Mozart
Euclid
Aeschylus
Dante

The initials of these names brought out the second name of the firm, “Mead.” Another slight space, and the following name appeared:

Wren
Herrick
Irving
Titian
Erasmus

Here was the name “White” also engraved, the whole device bringing out the firm name of “McKim, Mead & White” in connection with the world’s famed men. It was in 1890 [sic], just before the building was completed, that the discovery was made and published. The list of names was changed.

– Santa Rosa Republican, November 28, 1906

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SANTA ROSA’S FORGOTTEN FUTURE

The 1906 earthquake destroyed much of Santa Rosa’s 19th century heritage — and also its chances for a remarkable architectural future.

Santa Rosa was not a town that welcomed architects; many of the fine pre-earthquake houses that still can be seen around town were built sans architectural plans by local contractor Frank Sullivan, and before him, T.J. Ludwig. Even architect Brainerd Jones from nearby Petaluma found little work here; besides Comstock House, he designed only four other Santa Rosa homes and three public buildings during his nearly half-century career. When locals did realize that they needed the services of an architect to build something nice, they went to prestigious big city firms. San Francisco architects drew up plans for the lodge halls, post-quake courthouse, city hall, and high school. It wasn’t until the 1930s and construction of the Junior College that a hometown architect, William Herbert Cal Caulkins, was able to establish an architect’s beach head.

But in the months before the quake, Santa Rosa had a resident world-class architect who seemed itching to transform Santa Rosa, and the town seemed willing to let him do it. His name was William H. Willcox.

It’s unknown exactly when Willcox arrived in Santa Rosa, but the early 1906 newspapers were full of him. Once he unveiled his plans for a convention auditorium that could host more people than any other building ever built in the town, he was the darling of Santa Rosa’s business elite. At a Feb. 1 city hall meeting, $2,800 was pledged on the spot; by a month later, $8,000 had been promised towards construction, and in just a few more weeks — say, by mid-April — the subscription goal of 10 thousand dollars surely would have been reached.

willcoxconventionhall
But his Mission Style pavilion, seen here in a Press Democrat illustration, was not his greatest ambition. Willcox proposed to redesign Santa Rosa itself; he wanted to dam Santa Rosa Creek and turn it into an urban lake that would be the centerpiece of the town. Gone would be the blighted red-light district along First Street. From the E St. bridge (for which he also proposed a new boulevard design) to beyond Santa Rosa Avenue, the inviting waterpark would have electric lights, paths and benches, a swimming pool, a section between the bridges over one hundred feet wide for water sports, and a kiosk jutting over the water for bands to entertain. But like his pavilion, his waterpark plans were forgotten after the earthquake.

Willcox is a cipher. As far as I can tell, there’s no scholarly overview of his career or even a reasonably complete catalog of his work. He knocked around the country for more than thirty years, picking up commissions for churches, libraries, mansion-like homes, and state buildings. Besides Santa Rosa, he had offices in New York, Chicago, St. Paul, Seattle, Los Angeles, San Francisco, and probably other places unknown.

Today William Willcox is identified as a progressive architect who helped define the American “Queen Anne” style in the 1880s. (He was also famous as the Civil War mapmaker whose pen portrayed the famous battlefield of Antietam.) Several Willcox buildings are on the National Historic Register, and his work in St. Paul is particularly well known — see pictures of the Kellogg House and the Driscoll House. His grandest project was the Nebraska State House, which took three years to build and cost over $1.25 million in the early 1880s. Not that he designed only extravagant; in an 1883 house pattern book he presented a novel design for an octagonal cottage, arguing that it was a superior value.

The 1906 earthquake destroyed his vision for the Santa Rosa that might have been; the momentum in town now was for reconstruction, not radical redesign. He was appointed Building Inspector in the days immediately after the quake, and at least through the end of the year through May, 1907 kept an office here with civil engineer John B. Leonard. Small business ads appeared sporadically in both papers (although his name is spelled “Wilcox” in the Press Democrat adverts), announcing “structural steel and reinforced concrete a specialty.”

Although Willcox was 73 when the earthquake tore apart Santa Rosa, his career was still not over. In 1911, he was given a commission by Murray H. Durst. (Obl. Believe-it-or-not sidenote: Murray was one of the brothers behind the infamous Durst hops ranch in Wheatland, where a 1913 protest by agricultural workers ended with four dead and helped launch the nationwide labor movement.)

The millionaire Durst asked Willcox to design a “dream hotel” in Oakland that would occupy an entire city block. It was to cost $2.5 million, be ten stories high, and have a subway station in the basement with an airplane landing strip on the roof (this during the early biplane era, remember). Willcox was paid $1,157 on account. But Durst passed away and his widow claimed she knew nothing of the plans. Willcox sued the estate, arguing that he was still due one percent of the projected building cost. According to coverage in a trade magazine, Durst’s lawyers claimed that the deceased had “permitted Willcox to draw the elaborate plans just to humor the aged architect, and with no idea that the hotel would ever be built.” Years later the courts ruled for Willcox, and the estate was ordered to pay over $23 thousand. But was the design really the scribble of a deluded old man? Not as reported in the Feb. 11, 1919 Oakland Tribune: “on the [courtroom] wall is pinned a picture of it and all those interested in the case admit that it is a thing of beauty…”

Willcox lived a decade more, dying at age 96 the Veteran’s Home in Yountville, where he is buried. In local history, he has only a small footnote as being the guy who decided whether a quake damaged building was safe. Had he arrived a year earlier, or the quake struck a year later, his name might have been immortalized as the architect who transformed Santa Rosa into something of wonder.

NEW PAVILION TO BE USEFUL
Like One at Eureka It Would Be in Demand for Many Affairs After the Conventions

The proposal before the meeting held at the City Hall last evening when the plans were being considered, for the coming of the great party conventions this summer, for the erection of a pavilion suitable for the use of the conventions while in session, prompted the Republican to interview P. H. Quinn relative to some of the facts about the large pavilion which was erected in Eureka some several years ago. The building is just such a structure as it is proposed to have here, and is such that after the conventions have been held, it would be of real benefit to the community, and would be in demand for many gatherings during all seasons.

Mr. Quinn states that the Eureka Pavilion is built very much on the plan of the State Fair building at Sacramento, and that it is merely a shell well covered on the outside with good weather boarding and a good roof, while on the inside it is ceiled, and has a very fine floor so that it could be serviceable for fairs, dances, or skating–in fact anything in the amusement line. He states that the building there has always been in demand and rents for a good sum–the amount of which he has forgotten–and that it has been a paying proposition from the start.

When the plan was first broached, it was decided to build it as a joint stock concern, and the Occidental Mill Company, which is a large firm in Eureka, was interviewed and agreed to furnish the lumber for the structure and take stock in the company for the same. He suggested that some good reliable party could go from here to some of the great milling companies in the north and interest them in the move here, to furnish the material at a very nominal cost, and thus get a good building at a much less price.

The Eureka building is so constructed that there are two wings and they can be thrown into the main building thus enlarging the auditorium, and beside, there are galleries all around the room and these afford an immense seating capacity. Mr. Quinn is very much interest [sic] in the movement that has been started here, and is of the impression that the erection of such a pavilion as is proposed will be of inestimable value to Santa Rosa, and would be in demand all the time.

– Santa Rosa Republican, February 2, 1906

 

ARCHITECT WILLCOX PREPARES PLAN FOR BEAUTIFYING THE CREEK BANKS
Would Make Pretty Park Along First Street and, in So Doing, Remove Many Objectionable Features There

As in all probability we shall soon have a noble new stone bridge spanning Santa Rosa Creek at E street, let us consider what shall be done toward the betterment of the creek, in at least the portion that meanders through the city.

For years the condition of this stream and its bed has been a menace to the health of our city, and inexcusably, I think, for the opportunities which exist toward raising it to a sanitary condition and making it an exceedingly beautiful body of water has been lost sight of in a perfectly lackadaisical spirit.

The people of Santa Rosa have really a great opportunity within their precincts, in this hitherto neglected stream. Tracts of ground that are too rough and precipitous to be conveniently built upon are quite suitable for parkage and may generally be devoted to such purposes with excellent results. Our city has all the topographical character that it deserves, and it may easily and economically emphasize and dignify the great value of its stream. The ground on either side is difficult to utilize for any other purpose than that of parking, and conversion into a pleasure ground will eliminate its present unsightly and unhygenic character.

Indeed all the elements of what may be termed natural beauty, that is, a landscape characterized by simple and flowing lines, exist; the raw material of forest trees, running water, undulating surface and meandering shore, may be readily appropriated with great effect and so little cost that picturesqueness may be easily obtained. The banks and shelving reaches are now encircles [sic] by many find specimens of foliage, which only need a little cleaning out and trimming. The shrubs and trees are there. With the spell of wildness unbroken the landscape is brimming with natural beauty.

Now let us consider how we may improve this long neglected and despised spot.

Nothing is more delightful than pure clean running water: it is the life of a landscape; the delightful and captivating effect of water in scenery of any description are universally conceded. Its effect is almost magical, and with the blue of a Santa Rosa sky, and its silvery clouds, and the deep verdure of the foliage reflected upon it bosom, which feature could be more delightful or responsive.

Now by damming the lower part of the stream at some convenient point just east of the gas company’s plant with a head of water of greater or less height, the water may be thrown back as desired, and as it is always running clear and pure from the mountains, a constant level will result, sufficient in quantity to maintain at all times an overflow, thus, the stream may partake of the character of a river instead of a creek, developing into an [sic] dignified expanse of water.

Owing to its varied contours and meanders, the shore at some places will steal gently and gradually away from the level of the water, while at others it will rise suddenly and abruptly into banks more or less steep, irregular and rugged. Upon portions of its banks various kinds of wild ferns may be so planted as partially to conceal and overrun and hide rip-rap work or rocks and stumps of trees, while trailing plants will still farther increase the intricacy and richness of such portions. The Virginia creeper, Woodbine or Honeysuckle and other beautiful vines may be planted at the roots of the trees and left to clamber up their branches; and the wild clamatis so placed that its luxuriant festoons shall hang gracefully from the projecting boughs of some of the overarching trees, diffusing a delicious breath and making the walk beneath doubly delightful; while lovely wild flowers, peeping in and out, would yield gaiety and brightness to the parkage which the trees alone could not impart.

Leading from D street and either end of E street bridge, let us maintain walks through the more pleasing portions of the grounds, commanding now and again charming ranges of water scenery, and exhibiting at every portion some new feature, some changed aspect on which one’s thoughts dwell with delight. Let us conduct the pathways, through portions varied in character, and in graceful and pleasing lines, every advantage being taken of the natural contour of the ground. The winding walks, open bits of grassy levels or slopes, shrubs grouped naturally on turf, shady bowers and rustic seats, all agreeably combined, would render these grounds very interesting, instructive, and attractive. Some of these walks might terminate at neatly thatched structures of rustic work with seats for repose and views of the landscape beyond; along the margins of the pathways, where they would be appropriate and in harmony with the scene, might be laced rustic seats.

Other embellishments of interest, such as arbors, vases and plant baskets of different forms, but in keeping with the spirit of the scenery, might be introduced.

The boundaries, on all sides, should be irregularly planted, so that formality will be scarcely perceived, except within. The view from the E street bridge would include a view of all of the principal features.

At the foot of D street and on its axial line, and observable from the present postoffice on Fourth street. I would suggest the construction of a neat and simple kiosk; in properly riprapping at the base of the kiosk and on the line of First street, a concourse may be provided to accommodate a great number of people. This kiosk could be used for orchestral purposes, and the rip-rap work, falling away toward the stream, its surface covered with the garniture of ivy, Cherokee rose or other charming creeper, luxuriant and spendid would be the result.

At both approaches to the E street bridge, along the lines of First street from D to Main streets, and along the approach to Main street bridge, commodious esplanades might be maintained affording uninterrupted water and park views, very agreeable in character.

A convenient place for a dam is to be found just east of the gas works. This dam need not be constructed higher than nine feet, and as the fall is a trifle in excess of five feet from the E street bridge to the bridge at Main street, nearly four feet of water would be constant under the E street structure, and at that place expanding to a width of over one hundred feet, large enough to play water polo and important enough for Venetian sports.

East of the dam a public swimming pool of large dimensions, enclosed along simple and economical lines, but unroofed, could be constructed, with a pleasing entrance way bordered with shrubs, from Main street near the bridge. The water in the pool would be always clear because always [sic] running.

At a point just east of the turn which the river makes before it mixes with the water of Matanzas Creek, and running eastward to the turn of the water west of the railroad bridge, in a gently curving channel line, a stretch of just one half mile is obtained, that would be available for boat racing and other aquatic sports. At some convenient place undoubtedly a boat house would be build and the people of Santa Rosa could amuse themselves in rowing upon the face of a beautiful and healthful river, that is now given over to the deposition of old tinware, offal, and all sorts of baneful deposits and nuisances that at times render the air fetid and dangerous to health by diffusing its deleterious and poisonous gases through the city.

But also you will find on this water front a condition and opportunity so to construct public work that the attractiveness of our city shall be enhanced. You will not only free a neighborhood from nuisances, but preserve the natural character of the locality, and secure the humanizing influences of beautiful environment–all obtained at a minimum care and expense. Let us individualize our city. It is easily done, nature is helping us; let us make it lovely and give it distinction, and by so doing invite visitation and renown, which now obtains in so many towns of our state that only a few years ago were pronounced sage brush plains or chaparral hillsides. Santa Rosa, with possess, is hardly known outside of her own perliews. [sic]

WILLIAM H. WILLCOX

– Santa Rosa Republican, February 10, 1906

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