1900

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WHEN THE HIGH DRY WINDS BLOW

Jeff Elliott Leave a comment

The “Diablo Winds” are apparently a Regular Thing now, with the high, dry northeasterly gales ripping through the North Bay and too often creating firestorms. But how common were these damned winds historically?

Start with our three examples that caused major fires: The 2017 Tubbs Fire, the forgotten Great Fire of 1870 and the 1964 Hanly Fire. Beyond those incidents, however, it’s hard to say with much certainty.

First, “Diablo Winds” is a modern term, invented in 1991 (Wikipedia has a good explanation of the meteorology), so looking for that name in the old newspapers is a non-starter. A century ago and more they sometimes called any bad winds “Boreas,” although that was the classical name for a cold north wind often accompanied by rains. But the bigger problem is that our ancestors didn’t care much about recording wind directions or speeds; while they diligently kept records of rainfall down to the hundredth of an inch, apparently no one in Sonoma County had an anemometer in the old days.

Searches of the Santa Rosa and Healdsburg newspapers turned up surprisingly few historic windstorms that match the Diablo pattern with certainty (I limited my research to destructive weather events during the California autumn months with no rain mentioned). If I find more I’ll add it here and flag the update in the title of this article, but I think it’s safe to presume these big winds weren’t very common. Sources of all newspaper items are transcribed below.

The most surprising discovery was 1871, the year following the Great Fire. Once again there were “large fires were seen in the direction of Napa and Sonoma…It was the hardest blow ever experienced in this locality.”

“A vicious wind” in 1887, which might also have been a freak tornado, took down a two-story hotel at Los Guilucos that was under construction. “Those who witnessed the disaster say the sides and interior of the building seemed to melt away before the blast and the roof pausing in mid air a moment like a hawk hovering above its prey, fell with a crash that was heard for miles.”

There are two accounts of the two-day storm in 1892; rain was mentioned in Petaluma but not elsewhere. It was “one of the severest [windstorms] felt in Sonoma county for a number of years,” the Sonoma Democrat reported, with hundreds of mature trees downed. An elderly woman died of fright.

“The dry north winds that had been blowing for the last four or five days culminated on Sunday afternoon in a violent wind storm,” the Healdsburg Tribune noted in 1900, making it sure bet to be classified as a Diablo Wind. Then a few weeks later, an even more destructive wind hit the town following a light rain: “The wind almost reached the power of a cyclone and is said by old settlers to have been the speediest blow ever experienced here. Houses rocked on their foundations as if shaken by an earthquake.”

Our last historic windstorm conveniently also provides our obl. Believe-it-or-Not! finish. This item is from the Press Democrat in 1919:

The heavy wind storm of Wednesday night did many queer things, but probably none more novel will be reported than that experienced on the A. C. Hull ranch near town. A barn on the place contained a horse. During the height of the storm the barn was blown over, making two complete turns and landing right side up, uninjured. The horse was left standing without any injury where the barn had stood.

 

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The Storm.

A terrific wind storm prevailed throughout the county on Thursday night, during which large fires were seen in the direction of Napa and Sonoma, and it is feared serious damage was done in those localities. About Santa Rosa, sign boards were demoralized to a considerable extent, that of the Kessing Hotel being torn from its fastenings and broken to pieces. Those of the telegraph office and Santa Rosa Book Store, were blown down. The tin roof of the store occupied by Carithers & Martin, was transferred to the building of E. T. Farmer, next adjoining. Wind mills upon the premises of Windfield Wright, Henry Worthington and Adam Shane, were blown down, and orchards through the Township literally stripped of fruit. It was the hardest blow ever experienced in this locality, and our people are fortunate in getting off with damages so slight.

– Sonoma Democrat, October 14 1871

 

HIGH WIND —One of the most violent windstorm ever known in this region raged last Tuesday. It subsided during the night without causing any material damage in any way. But it made a lively dust.

– Sonoma Democrat, November 20 1880

 

A Vicious Wind.

The new two-story hotel at Los Guilucos town was razed to the ground during a violent wind storm which occurred there about 7:45 o’clock Thursday evening. If the building was as substantial as its appearances would indicate it certainly must have been a vicious wind, and the descriptions given by the workmen who were on the spot are now too highly colored. The men employed in tinning the roof had not been out of the building three minutes when the crash came. The air was full of flying timbers, some of the largest of which weighed several hundred pounds and were hurled high above the tops of the trees and lodged on top of the hotel before it fell. It seemed to be the nature of a whirlwind, and the doors and windows of the structure being open its interior formed an amphitheatre for the sports and athletic feats of Boreas. Those who witnessed the disaster say the sides and interior of the building seemed to melt away before the blast and the roof pausing in mid air a moment like a hawk hovering above its prey, fell with a crash that was heard for miles. Not a timber was left standing and all that remained to mark the spot where had once stood the first building in Los Guilucos town was a few pieces of roof timbers held together by long narrow strips of twisted and misshaped tin. Other reports received from the valley are somewhat contradictory of the nature of the storm. A gentleman residing within two miles of the hotel says the wind was somewhat stronger than a zephyr, but not of sufficient violence to cause him or his family any alarm concerning the safety of their residence and outbuildings. The damage it is estimated will not be over 4,000. Messrs. Ludwig & Kroncke visited the scene of the disaster Friday.

– Sonoma Democrat, November 26 1887

 

Early Monday morning Petaluma was visited by the swiftest and most disastrous windstorm known for many years. The wind did not only whistle, but it howled and groaned through every chink accessible. This account will read very true to many Petalumans, for most of them were kept awake by the ceaseless noise of boreas and his companion, the rain. Trees were uprooted in many parts of the town. Robert Spotswood, on Keller street had a pepper and an acacia tree blown down. A eucalyptus was blown from the sidewalk in front of the Newburgh residence on Liberty street. A poplar was uprooted at Father Cleary’s, and many other trees. The fence was blown from in front of the D street school. Also the fence surrounding the Sweed property on Sixth and B streets. The scaffolding left by the carpenters on the handsome Haubrick residence now in course of construction was scattered far into the street. Not satisfied with this, the wind sailed three miles out of town and lifted a goodly section of roof off the old adobe built by General Vallejo in the early days and now used as a home by M. Riely. This old building was perfectly strong and secure and it must have been a terrific wind to carry that roof as it did.

– Sonoma Democrat, December 3 1892

 

Effects of the Storm of Sunday Night.

The storm last Saturday and especially Sunday and Sunday night was one of the severest felt in Sonoma county for a number of years.

Trees were blown down all over town Sunday night. Near the corner of the Baptist Church, a large maple, which Street Commissioner Cozad will remember very well, blew down across B street.

The top of a large pine tree, standing near the residence of R. M. Swain, broke off about twenty-five feat from the top, and in falling just missed the house. The fragment was fully one foot in diameter, which shows the force of the wind.

Two large trees standing near the home of O. H. Hoag were blown down. They struck the house and rather demolished the kitchen.

A tree on William Hopper’s place fell Sunday night and carried with it a large section of Mr. Hopper’s front fence.

Keegan Bros, heard the wind whistle to the tune of $100 Sunday night. The force of the wind tore off the front sign hanging to the awning and carrying it in struck and broke the beautiful plate glass window.

The wind also played havoc with the sky-light of the engine house, picking it up and setting it down rather roughly where it did not belong, breaking every pane of glass. A number of panes of glass were also broken in the courthouse.

Carithers & Forsythe and George F. King have the turbulent elements of Sunday night to blame for misplacing their signs.

Beldin & Hehir’s sign, aided by the gentle zephyrs, drifted from its moorings and tapped the window of the postoffice and the adjacent transom a little too hard,

A passenger on the down train from Guerneville says that all hands were required to get off and help remove two large trees that had fallen across the track a few miles from Guerneville.

About seventy trees are down across the road from Duncan Mills to Guerneville, and one citizen from Bodega says the storm Saturday and Sunday was the severest felt in that windy locality for years. It blew down most of the fences in Bodega, together with several trees and old out-buildings that were insecurely anchored.

The Pacific Methodist College came near being scalped when the gale caught one corner of the tin roof and tore off about six hundred square feet of the roof.

A large maple in front of the residence of Dr. Savage, on Fourth street, succumbed to the breeze.

Many windmills throughout the valley got more wind than they could stand, and went to the ground, and one barn was blown down.

No very heavy damage to property is reported.

The saddest occurrence of all was the death of Mrs. Clark, elsewhere reported, who was afflicted with heart troubles, and it is believed her death was precipitated by nervousness and fright occasioned by the storm.

– Sonoma Democrat, December 3 1892

 

The dry north winds that had been blowing for the last four or five days culminated on Sunday afternoon in a violent wind storm. The winds and the intense heat of the sun have been of great advantage to prune drying, condensing into a few days what would take weeks to dry. It’s an ill wind that blows evil to the fruit dryer.

– Healdsburg Tribune, September 27 1900

 

THE STORM.
Violent Windstorm Does Considerable Damage Tuesday Night.

The rain that had been gently falling for the previous few days, culminated in a terrific windstorm on Tuesday night. Old Bordeas went on a toot, tearing down signs, breaking windows, uprooting trees and doing damage to a greater or less extent in all directions. The wind almost reached the power of a cyclone and is said by old settlers to have been the speediest blow ever experienced here. Houses rocked on their foundations as if shaken by an earthquake and sleep became an unknown quantity with many residents. The damage to ornamental trees must have been considerable in the aggregate. The electric lights were snuffed out at about 11 o’clock but resumed business a few hours later. The rainfall for Tuesday night was 1.53, and 9.11 for the season. The symmetrical circle of umbrella trees on the Plaza was broken, two of the trees falling prone on the sward, and the others being blown out of perpendicular. Silberstein’s sign became loosened at one end and becoming a plaything in the power of the winds, smashed much of the glass front of the store into smithereens. The early morning hours indicated that the proprietors had gone out of business, and had moved their signs to other parts of the city, Carl Muller, who has kept a record of the rainfall for many years, reports the windstorm as severe, if not more so, than any previous windstorm within his memory.

– Healdsburg Tribune, November 22 1900

 

BARN MOVED BY WIND, BUT HORSE REMAINS BEHIND

The heavy wind storm of Wednesday night did many queer things, but probably none more novel will be reported than that experienced on the A. C. Hull ranch near town. A barn on the place contained a horse. During the height of the storm the barn was blown over, making two complete turns and landing right side up, uninjured. The horse was left standing without any injury where the barn had stood.

– Press Democrat, November 29 1919

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A CHURCH OF STRONG FOUNDATION

Jeff Elliott Leave a comment

Planning a time trip to witness the 1906 Santa Rosa earthquake? Be careful where you’ll pop up; anywhere downtown will be dangerous as all of the brick buildings collapse. Surprisingly, the safest place while everything’s shaking will be inside a massive stone building – St. Rose Catholic church, on B street, built in 1900-1901.

It was (to state the obvious) an extraordinarily well-built place.

“With the exception of a few stones from a cornice, St. Rose came through the dreadful ordeal unscathed,” wrote historian Tom Gregory in his Sonoma County history five years later. A photo of the church apparently taken right after the earthquake shows a sawhorse next to the portico, where a a chunk of the corner appears missing. There was also some repair work needed on the steeple, but the job was already finished before downtown rebuilding began in earnest. The whole cost was reportedly $200; to raise funds the “ladies of St. Rose’s Church” threw a dance at Grace Brothers’ Park, illuminated by “many electric globes.”

strose1906(St. Rose church following 1906 earthquake. Source: “Views of Santa Rosa and Vicinity Before and After the Disaster, April 18, 1906” date unknown)

The expert masonry was done by a crew led by Peter Maroni, one of the skilled Italian-American stone cutters in Sonoma county. Gaye Lebaron has written often about these gentlemen from Tuscany and I have nothing further about them to offer. The basalt came from the Titania Quarry between Highway 12 and Montgomery Drive, where Santa Rosa Creek and Brush Creek join (the remains of the quarry are still there and can be visited – see this aerial view). Maroni leased it from James McDonald, the San Francisco banker and lesser-known brother of Mark L. McDonald. The stone used in building the church was donated by James.

All of that is fairly well-trod history but there’s a whopper of a believe-it-or-not! twist to the St. Rose story: It’s a forgotten design by a famous architect.

St. Rose was designed in 1899, a few years before Frank T. Shea (1859-1929) became widely known. He was classically trained at L’Ecole des Beaux Arts, which shows in his public buildings such as the Superior Court building in Sacramento and the Bank of Italy headquarters in San Francisco. His masterwork of this type was the final design of San Francisco City Hall, which was lost in the 1906 earthquake.

Shea had been the architect for the city of San Francisco from 1893 to 1897 and had a steady flow of work in the years following the quake, a time when there was much ado about the City Beautiful movement and Daniel Burnham’s vision to transform San Francisco into “Paris with hills.” Frank Shea was perfectly in tune with those ideals, and everything he designed in those years was grand and majestic. Many are on the National Register of Historic Places and all of them deserve to be.

More than anything else, Shea designed Catholic churches, creating ten others in San Francisco, Sonoma and Marin: the Mission Dolores Basilica, St. Paul (Noe Valley), Star of the Sea (Richmond District), Saint Ann Church (Sunset District), Saint Monica Church (Richmond District), St. Brigid (Nob Hill, now part of the Academy of Art University), Saint Vincent de Paul Church (Pacific Heights), Saint Anselm Church (Ross), St. Philip in Occidental and the Church of the Assumption in Tomales. He also was involved with the rebuilding of several churches following the quake, including St. Patrick (Mission District).

The scope of Shea’s work is astonishing. None of his churches are alike; he glided with ease between English, French and Italian Gothic/Romanesque styles as well Spanish Colonial, all as appropriate to the setting. By contrast, his slightly earlier Bay Area Episcopal church contemporary, Ernest Coxhead, kept reusing a favorite stylistic trait – an enormous swooping roof, which makes his churches look like Norman fortresses prepared to fend off attackers (St. John’s Episcopal in Petaluma is a Coxhead design).

The style he used for St. Rose is English Gothic (which was more apparent before its spire disappeared) and the Tomales church was Northern Italian Romanesque. That version of the Church of the Assumption was destroyed in the 1906 quake and a simpler wood church was built in its place. But those two churches were like siblings; both were designed by Shea in 1899 and used basalt from the same quarry operated by Peter Maroni. Although it was much smaller, the Tomales church took until 1903 to complete.

It’s difficult to see how St. Philip in Occidental fits into the picture, although there’s no dispute it was credited to Shea & Shea, which was his partnership with brother William. The exterior is an eclectic mashup which insults the classical principles which Frank T. Shea held dear. If anyone in their office came up with this, perhaps it was William – he was supposedly an architect although he was never personally credited with any design, and none of his threadbare obituaries mention any training. And speaking of William Dennis Shea…

In the corrupt world of early 20th century San Francisco city government, William Shea deserved an award for exceptional grifting. The Board of Supervisors appointed him city architect in 1905, then abolished that position and reappointed him as “General Supervising Architect” – the difference being that with his newly-created title he could skim 3½ percent from any public building construction project, which meant William was expected to pull in today’s equivalent of about $5 million/year on top of his salary – and, of course, he surely would gratefully share this with his benefactors. After the 1906 earthquake and a bond was passed to build an auxiliary water supply system for fire prevention, he demanded $3 million be paid to his office for supervision, then another $91,000 for designing a temporary city hall which was never expected to be built (all figures in 2019 dollars). William Shea was among the first to be ousted by the court as the graft and corruption trials began in 1907.

There’s no hint Frank shared his brother’s flawed character and although Shea & Shea continued to exist, it appears all his ecclesiastical design in the following years was done in partnership with another architect, John Lofquist. Since these commissions came from the San Francisco Archdiocese, one wonders if the church weighed in against working with the sleazy William.

Frank designed another Santa Rosa building in 1921: The Elks’ lodge on A street, which was a full block long between Fourth and Fifth streets. As seen in the drawing below, this was to be a classic Beaux Arts design with Corinthian columns although as the inset 1941 view shows, the final design was more conventional. Besides retail space at street level, this Shea & Shea building included a large auditorium and 6,000 sq. ft. dance floor, which after WWII became the “Skyline Terrace Ballroom,” Santa Rosa’s sort-of nightclub with live music on Thursdays and other times when a C-list big band was touring through the area. It was also available to rent for weddings and banquets and like everything else in that part of downtown, was bulldozed in the 1960s to eventually make room for our monstrous mall.

St. Rose was also scaled down from Shea’s original concept, as seen below. The final building was smaller, the east facing rose window was eliminated, as was (what appears to be) a small apse on the northeast corner, which would have been the baptistry. These were probably cost-cutting measures; as it was, the church came in about $3,000 over estimate ($104k in modern dollars).

Shea visited Santa Rosa at least three times while St. Rose was under construction, notable because the round trip from San Francisco would have taken most of a day and there was no profit in the architect making so many inspections on such a small project, particularly while work at the SF city hall was ongoing. As this was his first church, perhaps he took a personal interest in seeing the work done as well as possible, as well as hoping to gain a reputation with the Archdiocese as an earnest builder of churches.

As Frank T. Shea’s first church and his oldest surviving structure of any kind, St. Rose certainly deserves to be on the National Register of Historic Places. But unfortunately, as of this writing you can’t even peek inside; over 25 years ago structural engineers declared it seismically unsound and was closed to the public. The parish has plans for stabilization and restoration and is asking for help in raising funds. (Maybe some of those developers lusting after approval to build multi-million dollar high-rises downtown would like to chip in to fix up a building that’s really architecturally and historically significant, perhaps?) There’s a pledge form available at the link above.

In the meantime, there’s the mystery of the missing steeple. Compare any photos of St. Rose prior to the 1960s to the church today and notice the spire and the bell tower are gone – and no one knows why that happened or when. Best guesses are that it happened in 1964 as they were building the new church next door and possibly for some sort of safety issue. Or maybe there was an aesthetic concern of having such a big pointy thing adjacent to the new baptistry, another big pointy thing. And there’s also a question of where it went to – did they just saw it up and haul the parts to the dump, complete with its four mini-steeples? If anyone knows more, or sees a 90-foot steeple listed on eBay, please drop me a line.

Frank T. Shea drawing of St. Rose church (San Francisco Chronicle, December 3 1899)
Frank T. Shea drawing of St. Rose church (San Francisco Chronicle, December 3 1899)

 

Undated postcard of St. Rose church (courtesy Denise Hill)
Undated postcard of St. Rose church (courtesy Denise Hill)

 

Peter Maroni and August Deghi during construction of St. Rose church (courtesy Sonoma county library)
The Sonoma county library has two copies of this photograph, one identifying it as Peter Maroni and August Deghi during construction of St. Rose church and the other stating it shows two unknown workers during construction of the Healdsburg Grammar School in 1906. As this is a Romanesque arch and St. Rose arches are (apparently) all Gothic, this is likely showing the school or another project

elks

 

 

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Will Build a Stone Church

From the Rev. Rector Cassin it was learned Monday that if the architect finds that it is at all practicable the new parish church of St. Rose in this city will be built of stone.

– Press Democrat, August 23 1899

 

The New Church at Tomales

Work on the new Catholic church at Tomales is being pushed ahead merrily. The edifice when completed will be one of the neatest in the state. It is probable that the architect of the Tomales church will prepare the plans for the new parish church of St. Rose in this city.

– Press Democrat, August 23 1899

 

Architect Shea in Town

Frank Shea, the well known San Francisco architect, was in Santa Rosa on Sunday for the purpose of inspecting the site for the new church for St. Rose’s parish. He has prepared plans for the erection of many magnificent edifices in this state, so it is expected that his work in this instance will give satisfaction.

The architect was well pleased with the site and will at once begin the preparation of plans. As stated before the church will be built of stone and in architecture that will be inspiring. The stone used will be from the quarries near this city and will be donated for the purpose.

From the Rev. J. M. Cassin, rector of the parish, it was learned that the proposed new church will cost about $14,000 or $15,000. The reverend gentleman is very enthusiastic over the report made by Mr. Shea after looking over the site.

– Press Democrat, September 27 1899

 

THE FIRST CHURCH IN SANTA ROSA TO BE BUILT OF STONE

The people of St. Rose’s parish expect before long to see the commencement of the building of their new church, as designed by Shea & Shea, the well known San Francisco architects.

The church of St. Rose is to be erected of stone to be found in the near vicinity of Santa Rosa from the quarries of Captain McDonald of San Francisco. Captain McDonald has permitted the church to take the stone from his quarry free of cost, and, therefore, when the edifice is completed it will stand as a substantial monument and strong evidence of his great generosity.

No brickwork will be used in the construction, as the walls will be entirely of stone, including the foundation piers, etc. The church will be 45 feet in width, 40 feet in height, and 90 feet in length, cruciform in plan, capable of a seating capacity of over 500 people. The spire will be 92 feet to top of cross. A gallery in front of the church of extensive capacity is also provided which is reached by a large square staircase placed in the square tower.

The baptistry is placed to the right of the church entrance and octagonal in shape, well lighted, and easy of access. The main entrance of the church is emphasized by three arches which face as many separate doors back of the main vestibule. Two side entrances are also provided in the transcepts which will permit of rapid exit of the congregation.

The lighting of the church is admirable, a large rose window pierces the front gable, two large gothic arched windows pierce the respective transcept gables, while the side aisles are provided with smaller yet perfectly proportioned windows flanked by buttresses. There is still provided [rest of paragraph missing]

It will be when completed one of the most substantial, picturesque and capacious houses of worship in the state outside of the city of San Francisco.

Much credit is due the Rev. Father Cassin for his efforts toward the erection of a church of enduring materials.

The idea of the past in this state has been to rear temporary structures or buildings of perishable materials, which demand constant attention in the way of repairs, for all time.

Economy in the end, saying nothing of beauty, dictates the employment of stone or masonry in ail buildings, and particularly in regard to a sacred edifice.

[start of paragraph missing] an extra effect of nave illumination by smaller windows above the aisle arches which adds to the architectural effect of both outside and inside and also provides perfect means of ventilation without draught.

The sanctuary, sisters’ chapel and side altars are crowned with arches and groined with artistic effect. The interior finish is proposed to be entirely of wood with paneled walls, arches and trusses, all finished in the natural state, while the sanctuary walls alone are to be finished in plaster for the purpose of future frescoe decoration which is so appropriate. The roofs will be of California black slate. The style of architecture employed is the English Gothic, destitute of high walls with their cheerless effect. The church will be lighted by electricity and heated by gas radiation.

No paint will be employed but the entire material used will stand for itself in evidence of its own natural virtues. Plainly decorated glass will be set in the windows but of a subdued pleasant tint that will enhance the interior effect considerably.

– Press Democrat, January 17 1900

 

CONTRACTORS BID TO BUILD THE NEW CHURCH

The Rev. J. M. Cassin and Contractors J. O. Kuykendall and C. D. Roberts were present in the offices of Shea & Shea in San Francisco on Monday, when the bids for the erection of the new church of St. Rose were opened. The bidders and bids were as follows:

Carpenter work —Simpson & Roberts. Santa Rosa, $10,516; Dryer & Co., San Francisco, $11,695; McIntyre, Oakland, $10,440; Crawford & Son, San Francisco, $10,000; J. O. Kuykendall, Santa Rosa, $12,107.

Stone work — Fisher & Kinslow, Santa Rosa, $13,997; P. Maroney, Kenwood, $11,235; J. O. Kuykendall, $10,439; Joe Neurauter, Santa Rosa, $7,440,

It will probably be several days before the award will be announced.

– Press Democrat, February 14 1900

 

Kuykendall Secures the Contract

Bids for the building of the new parish church of St. Rose in Santa Rosa were opened on Wednesday at the office of Shea & Shea, the architects, at No. 26 Montgomery street, San Francisco. The Rev. J. M. Casein and others wore present.

Contractor J. O. Kuykendall of Santa Rosa will build the new church, his bid being the lowest. The bids were as follows:

Simpson & Roberts, $21,117; J. C. Lindsay, $19,492; Johnson, $18,981; Thomson, $18,107; J. O. Kuykendall, $17,299.

These bids were for the entire work of construction including stone work and carpenter work.

– Press Democrat, May 5 1900

 

Has Let the Contract

Contractor J. O. Kuykendall, the builder of the new church of St. Rose, has let the contract for the concrete and stone work of the church to the firm of Cushing & Wetmore of San Francisco. The firm will bring to Santa Rosa their own crusher to prepare the concrete for the foundation. Arrangements have been made with Ph. Meyer to supply power for the running of an electric dynamo which will operate the machinery. From Mr. Kuykendall it was learned on Saturday that work would be commenced on Monday morning and that it will be pushed ahead with success.

– Press Democrat, June 27 1900

 

Ground Broken For St. Roses

Ground was broken Monday morning for the erection of the new church of St. Rose on B street. Tuesday from ing & Wetmore’s [sic] men will arrive from San Francisco and the work of building the concrete work will go merrily ahead. The breaking of the ground Monday was an important event for the people of the parish.

– Press Democrat, June 27 1900

 

The stone foundation of the new parish church of St. Rose on B street has been completed in a satisfactory manner by Cushing & Wetmore of San Francisco. The architect, Mr. Shea, and the Rev. Father Cassin are pleased with the work done. Contractor Kuykendall will now receive his first payment from the contract price.

– Press Democrat, July 14 1900

 

New St. Rose’s Church

Architect Shea is expected here today from San Francisco and it is learned that the first stone of the superstructure of the new parish church of St. Rose will be laid. Mr. Maroni, who has the sub-contract for the stone work from Contractor Kuykendall, is ready to begin work at once. It is probable that in about two weeks a date will be set for the laying of the foundation stone.

– Press Democrat, July 21 1900

 

Contractor P. Maroni has a force of eight stone masons at work on the new church of St. Rose on B street and the building is progressing well. Architect Shea is pleased with the work so far.

– Press Democrat, July 28 1900

 

Construction of New St. Rose

The work of building the new church of St. Rose is progressing very satisfactorily. It is an interesting sight to watch a machine in the nature of a derrick, which lifts huge blocks of stone weighing over a ton from the wagons and places them in position where they are required in the building. One of the blocks, used for a sill placed on Saturday, weighed two tons and a half. The six huge iron pillars, two of cast iron and four of wrought iron, which will be used to support the gallery, have arrived.

– Press Democrat, September 5 1900

 

The handsome marble corner stone for new St. Rose’s church has arrived. It Will be laid on Sunday. October 28 by His Grace the Most Reverend Archbishop Riordan.

– Press Democrat, September 12 1900

 

South Gable Finished

The south gable of the magnificent stone church of St. Rose on B street was completed on Saturday and with pride and satisfaction the work was beheld by Rector Cassin and many of his parishioners and friends. On October 28, His Grace the Most Reverend Archbishop Riordan will lay the corner stone of the edifice. He will be assisted by Rector Cassin and a number of visiting priests.

– Press Democrat, October 12 1900

 

CAME AFTER STONE TO BUILD THE NEW CHURCH

The Rev. Father John Rodgers of Tomaies came to Santa Rosa Wednesday with a small army of six-horse teams to haul stone from the quarries near here to complete the new stone church he is building in the little Marin county town. The good priest has won the admiration of everybody for his indefatigable efforts in the building of the church of which he is justly proud. Wednesday he directed the men be brought with him and in the afternoon the wagons went home loaded. The thirty huge steps to the edifice are being quarried here by P. Maroni.

– Press Democrat, October 20 1900

 

CORNER STONE OF SAINT ROSE’S
Archbishop Riordan, Attended by Priests and Acolytes, Performs the Impressive Ceremony, While Hundreds Reverently Watch and Listen

With impressive ceremony befitting the occasion the corner stone of the new Catholic church dedicated to St. Rose on B street was laid by His Grace the Most Reverend Archbishop Riordan at half past 2 o’clock on Sunday afternoon…

– Press Democrat, October 31 1900

 

HE DONATED THE STONE FOR THE CHURCH STEPS

Contractor P. Maroni shipped the last of the stone steps constructed for the new Catholic church at Tomales to that place yesterday by team and the huge blocks will soon be placed in position. The stone steps to be placed in front of the new Tomales church are not unlike those leading up to the entrance to the courthouse in this city. Each step is eighteen feet long, and there are four rests in the ascent, two six feet in width, one ten feet and another four feet wide. Yesterday while in San Francisco Contractor Maroni called upon Captain J. M. McDonald, the owner of the quarries from which the stone was taken, to ascertain the cost of the material used. Captain McDonald informed Mr. Maroni that as long as the stone was used for church work there would be no charge whatever. Needless to say the Captain’s generosity is highly appreciated.

– Press Democrat, November 14 1900

 

P. Maroni, the stone contractor for the new St. Rose’s church, says that if the weather remains clear that he will finish the stone work on the building in about twenty days. Mr. Maroni is doing some splendid work upon the edifice.

– Press Democrat, December 26 1900

 

THE CROSS ON HIGH
Stone Work of Upper Portion of Church Finished
Much Progress is Made With Building of New St. Rose’s Church in This City

The cross on the front wall of St. Rose’s church was placed in position Saturday afternoon.

This completes the upper portion of the stone work which has been carried on for months past with many delays on account of unfavorable weather. The steps and other stone work of tbe lower portion of the church will now be attended to. The carpenters, slaters and copper men will now quickly complete the upper portion of the church. The interior work will also be carried on at the same time, and probably in April the church will be dedicated and become an ornament to Santa Rosa.

– Press Democrat, February 10 1901

 

BELL OCCUPIES ITS CHAMBER OF STONE

Yesterday the sweet sounding bell which for many years has summoned the worshipers to the services in old St. Rose’s church on B street was removed from the old church tower and was hoisted into position in the new church. From its chamber near the top of the massive tower of the new stone church its tongue will be heard for the first time next Sunday morning. Architect Shea visited the church building on Monday and expressed himself as being well pleased with the work of the contractors.

– Press Democrat, 13 February 1901

 

New St. Rose’s Church

J. P. Silva of the Oakland Slating company finished the slating on St. Rose’s church last week and he has returned to Oakland. The copper work has also been finished by William Cronin of San Francisco. The stone work of the church has been completed all but the steps and in a few weeks now the carpenterwork will be finished and the edifice will be ready for occupancy…

– Press Democrat, March 17 1901

 

WITH A HIGH MASS
Last Service in the Old, First in the New Church
Elaborate Ceremony Will be Witnessed in New Saint Rose’s Church Today

This morning at 8 o’clock the last service will be held in old St. Rose’s church, which for almost half a century has been the house of worship for the Catholic congregation of the parish of Santa Rosa and around which cling so many memories.

Today for the first time divine service will be held in the handsome new stone church, whose embattled tower is surmounted by a cross of gold. Consequently today will be an important one in the religious history of Sonoma county, for the sacred edifice which will be used for the first time is the first stone church to be erected in the county…

– Press Democrat, June 2 1901

 

THE DEDICATION
Solemn Ceremony by Archbishop Riordan Today
The New Church of Saint Rose Will be Formally Set Apart For Worship

The solemn dedication of St. Rose’s Roman Catholic church will take place at 11 o’clock this morning…

– Press Democrat, July 21 1901

 

Permission was granted Rev. Father Cassin to repair the tower of St. Rose Church.

– Press Democrat, June 6 1906

 

Contractor P. Maroni finished the stone work on the Western Hotel on Thursday night and is now at work on the tower of St. Rose’s church.

– Press Democrat, June 8 1906

 

BIG SOCIAL EVENT
Fete and Dance at the Park on Wednesday Night

The entertainment and dance at Grace Brothers’ Park on Wednesday night under the auspices of the ladies of St. Rose’s Church, is sure to be a very delightful and well patronized event. Under the direction of Mrs. Joe T. Grace a splendid musical and literary program is being arranged, and San Francisco talent will assist. The pavilion will be decorated and many electric globes will glisten in the park. The proceeds are for the benefit of St. Rose’s Church.

– Press Democrat, June 17 1906

 

Church Repairs Made

The repairs on the Church of St. Rose have been completed and everything about the handsome edifice looks as it did before. Rector Cassin is greatly pleased that the work has been finished.

– Press Democrat, July 26 1906

 

Water Color of Elks Temple at Nagle’s

A large water color drawing of the new Elks Temple has been placed in the display window of Nagle’s Sport Shop, where it is attracting considerable notice. The drawing of the building, from plans by Shea and Shea of San Francisco, attractively presents the building as viewed from the Fifth street entrance.

– Press Democrat, July 20 1922

 

Plans For New Elks Building Are Submitted

Architects William and Frank Shea of San Francisco, were in the city last night to submit the plans for the new Elks’ building to be erected in Santa Rosa. The plans were submitted to the building committee and a report will be made to the lodge.

– Press Democrat, December 13 1922

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LET’S GO TO THE CIRCUS ON COLLEGE AVE

Jeff Elliott Leave a comment

Hours before dawn, the boys were gathering at the depot waiting for the circus train. They would be playing hooky that day but wouldn’t get into much trouble for it; after all, their fathers did the same thing (and maybe grandfathers, too) and they had heard their elders speak wistfully about the pleasure of it, waiting in the dark with a swarm of kids and grown men for the trainload of marvels speeding their way on the rails.

From the 1916 Argus-Courier: “A monster train of red cars, loaded to the guards with circus paraphernalia and equipment of the John Robinson ten big combined shows, the oldest circus in the world, reached Petaluma Thursday morning, a little late but all safe and sound. There was a good sized reception committee on hand to welcome the showmen. Some were there who declared they had not missed seeing a circus ‘come in’ in twenty years. A few even remembered the last time the John Robinson circus visited California 35 years ago. Some small boys were at the depot as early as 3 a. m. although the circus did not arrive until 8:30.”

Setup in Santa Rosa was easier than many towns, where the fairgrounds were usually outside city limits and far from the depot. Here the show lot was nearly in the center of town – the former grounds of the old Pacific Methodist College (now the location of Santa Rosa Middle School, between E street and Brookwood Ave). Once the college buildings were removed around 1892, the nine acre vacant lot became the temporary home of every show rolling through.

This is the second item about the circuses that came to Santa Rosa and Petaluma as viewed through our local newspapers. Part one, “WHEN THE CIRCUS WAGONS CAME TO TOWN,” looked at the shows before the railroads arrived in the 1870s. With trains available the bigger and more famous circus companies began to come here and by the early 1900s, Santa Rosa could expect a visit from a world-class circus every year. The shows discussed below are only a small sample.

(CLICK or TAP any image to enlarge, or see the complete collection on Pinterest)

A big attraction for the 1883 John Robinson’s Circus was the electric light “as bright as the noon-day sun.” For advance PR they sent newspapers a humor column about “Uncle Jerry Peckum” complaining the “sarkis” tent being too close to his chicken farm: “It’s lit up so brite thet every last one o’ them tarnal fool chickins thinks it’s daylite again’, an’ got up an’ gone to layin.'” The column ended with Jerry deciding to go to the circus because “I’ve heern so much about this ‘lectricity light–an’ we may never hev a chance to see one agin.” The promo piece ran in the Petaluma Argus, naturally, because chicken.

1883 John Robinson’s Circus

The 1886 Sells Brothers Circus was the first mega-show to visit Sonoma County. While both Petaluma and Santa Rosa newspapers raved about its quality, the Petaluma Argus was outraged admission at the gate was $1.10 instead of the traditional buck.

Speaking of ripoffs: Earlier the Santa Rosa Daily Democrat ran an amusing reprint from a New York paper describing the predator/prey relationship between a circus “candy butcher” (food vendor) and the locals: “…The candy butchers in a circus never work the bottom row of seats. Country bumpkins who easily become their prey always get up on the top benches. They do this because they are afraid of the ‘butchers’ and want to hide from them. The latter move around on the top seats, and when they find a verdant fellow they fill his girl’s lap with oranges, candy, popcorn and fans. If the girl says she doesn’t want them they ask her why she took them, and make the young man pay thirteen or fourteen prices for the rubbish…” The piece continued by describing the pink in a circus’ trademark pink lemonade was a red dye added to conceal how little lemon actually was in the drink: “Strawberry lemonade men make two barrels of the delicious beverage which they sell of ten cents worth of tartaric acid and five cents worth of aniline and two lemons. They make fifty dollars a day each…”

1886 Sells Brothers Circus

I’m sure it lived up to its claim of being the “greatest show on earth,” but when the Ringling Brothers Circus made four visits during the 1900s we were flooded each time with the greatest hype on earth, as the Press Democrat seemingly printed every scrap of PR flackery the advance promoters churned out as “news” articles. “The aerial features of Ringling Brothers shows by far surpass anything of a similar nature ever exhibited in the United States. The civilized countries of the world have been thoroughly searched for the newest and most thrilling acts.” (1903) “Their Acts in Ringling Brothers’ Circus Almost Surpasses the Possible.” (1904) The low point was probably the 1907 article, “Interesting Facts Regarding the Expense of Advertising and Maintaining a Great Circus,” which was neither very interesting nor very factual: “An elephant without plenty of feed is as dangerous as a healthy stick of dynamite.” Yowp!

1900 Ringling Brothers Circus

Santa Rosa schools were dismissed at 11AM on the Thursday morning when Buffalo Bill’s Wild West Show came to town, which was a pragmatic surrender of any hope for keeping the kids at their desks once the parade started marching down Fourth street.

There was no Big Top for this show, just a horseshoe-shaped grandstand that could seat 16,000. The audience was apparently immense; the PD reported, “afternoon and evening the vast seating accommodations was occupied with a sea of humanity.”

These 1902 performances were not Buffalo Bill’s “last and only” shows in Santa Rosa. He was back again in 1910 for his “farewell tour,” and also in 1914, after he lost the legal use of the “Buffalo Bill” name and had to perform with the Sells-Floto Circus. For more, see “BUFFALO BILL STOPS BY TO SAY GOODBYE.”

1902 Buffalo Bill’s Wild West Show

“Early in the day farmers from far and near came driving to town with their entire families while special trains brought crowds from points as far away as Ukiah,” reported the Press Democrat in 1904 about the third appearance here by the Ringling Brothers Circus. “By 11 o’clock the streets were thronged with a good natured perspiring crowd prepared to be amused at any thing.”

Unfortunately, Santa Rosa was suffering through a heat wave that September morning: “The Court House proved a very attractive place as it was so cool and refreshing within its walls while outside the thermometer ranged from 100 upward from 10 o’clock. Many of the windows were filled with the families and friends of the county officials, while the steps and shady portions of the grounds were packed with outside visitors. All along the line of march all available windows and other points of vantage were packed, while great throngs moved restlessly up and down the principal streets, and crowded the stores.”

The description of the circus parade was probably rewrite of PR copy, but it’s still fun to imagine a sight like this coming down Fourth street: “Never before in the history of Santa Rosa has there been such a parade as Ringling Bros, gave Thursday. Floats and chariots, half a dozen bands, numerous companies of horseback riders representing various nationalities, both men and women, a drove of thirteen camels, twenty-six elephants and many open cages of wild animals. Altogether there were over 375 horses in the parade. They were ridden, driven two and three tandem, in teams of two,. four, six, eight and twenty-four horses each. One of the most pleasing sights to the younger people were the twenty-four horse team on the band wagon and the twenty-four Shetland pony team on a float.”

1905 Press Democrat cartoon: “In Town for the Circus”

Norris & Rowe’s Circus was a Santa Rosa favorite in the first decade of the Twentieth Century, and not just because they reliably showed up every April. “On account of the fact that it is a California show,” explained the Press Democrat in 1905, “the people of this state are naturally interested in its success from year to year, and the enterprise of Norris & Rowe in having advanced in a few years from a small dog and pony show to the growing circus that they now possess, has been highly commended.”

Alas, the show had no end of problems, well symbolized by the photo below showing their 1905 “Grand Gold Glittering Street Parade” in Santa Rosa taking place during a downpour. Their last appearance here in 1909 shocked some by offering “several gambling schemes” and a racy sideshow “for men only.” The circus went bankrupt and closed in 1910. For more see: “BROKE DOWN CIRCUS.”

Photo courtesy Sonoma County Library

The Barnum and Bailey Circus made its second stop here in 1908, and the show was the biggest, best, blah, blah, blah. This trip was notable for an acrobatic act which sounds genuinely risky; the odd-but-colorful description that appeared in the Press Democrat is transcribed below (and was undoubtedly circus PR) but from other papers we can piece together what really went on.

The main performer was 20 year-old Yvone La Raque, who was seated in an “automobile” at the top of a narrow ramp near the top of the tent, about 65 feet in the air. (I can find no claim the little vehicle actually had an engine.) When her cart was released it dropped down the ramp and flew off with enough speed to somehow execute a somersault. She and the little car landed on a separate spring-cushioned ramp several feet away. The entire business took only 4-5 seconds.

Now, Gentle Reader might not think this such a great challenge; all she had to do was keep the wheels absolutely straight and do whatever weight-shifting physics needed to perform the loop-de-loop. But that was in 1907-1908, an age when steering wheels regularly fell off because gearboxes were still an experimental thing and even the best new tires sometimes burst under stress. And, of course, success depended upon workers quickly setting up the landing ramp with absolute precision while circus craziness was underway.

That was 1907 when Yvone was a solo act with a different circus; when she joined Barnum and Bailey her sister (name unknown) was added to the act, following her immediately down the ramp in an identical car and flying across to the landing ramp while Yvone looped above her. By all accounts the crowds went nuts.

I researched them with dread, certain I would discover one or both were killed or horribly mangled, but apparently they retired uninjured at the close of the 1908 season.

The start of this awful act is made from the dome of the tent. The cars ride on the same platform, one behind the other, being released simultaneously. One car is red and the other blue that their separate flights may be followed by the eye that dares to look. The leading auto arches gracefully across a wide gap, being encircled as it does so by the rear car. They land at the same instant. From the time the cars are released at the top of the incline to the landing below on the platform, Just four seconds elapse. Those who have seen the act say it amounts to four years when you figure the suspense, the worry and the awful jolting of the nerves. “You feel like a murderer waiting for the verdict,” says some one who saw the act while the circus was it New York City. “The suspense is awful. You look back over your past life. You regret as many of your sins as you can it four seconds. You want to close your eyes, but you can’t. My, what a relief when they land safely! That’s the jury bringing in a verdict of not guilty. Then you rise with a yell of joy as the young women alight without a scratch. Everybody else yells. Oh, it’s great!”

1908 Barnum and Bailey Circus

And finally we come to the Al G. Barnes Circus. The ad below is from 1921, but his show first appeared in Santa Rosa ten years earlier. I deeply regret having not found much about him beyond a few anecdotes – he clearly was gifted with a rare magnetic personality and both people and animals were drawn to him instinctively. His friend and attorney Wallace Ware tells the story of seeing Barnes throw meat to a fox in a forest, then approaching the wild animal and petting it as if it were tamed. He trained performing animals with food rewards but also by talking to them with genuine sincerity as if they could understand everything he said. Ware’s memoir, “The Unforgettables,” has a section on Al worth reading if you’d like to know more.

(RIGHT: Chevrolet and bear at the Al G. Barnes Zoo, Culver City, 1926. Courtesy of the USC Digital Library)

Barnes also had a private zoo near Los Angeles where he kept animals too old or too wild to be in the circus. It must have been enormously expensive to maintain – supposedly it numbered around 4,000 animals – but kudos to him for not destroying the unprofitable animals or selling them off to carnivals where they likely would suffer great abuses. That was the 1920s, remember; there were no animal sanctuaries for former circus animals, tame or no, and trade newspapers like Billboard and the New York Clipper regularly had want ads of circus animals for sale.

The Press Democrat treated him like a hometown boy although he was from Canada and lived in Southern California when he wasn’t touring. The PD reprinted news items about his circus, his illnesses and reported his marriage on the front page. When he died in 1931 the PD wrote its own obit: “When Al G. Barnes rode into the ring, swept off his hat, bowed and welcomed the crowd, you knew who was running the show…his death will be generally regretted, not only in a personal way but because it marks the passing of a picturesque character, one well known in the west–one of the last of the kind.”

1921 Al G. Barnes Circus

 

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